reconstructing an exodus history: boat trajectories from Vietnam and flight routes from refugee camps and of ODP cases

Tiffany Chung, reconstructing an exodus history: boat trajectories from Vietnam and flight routes from refugee camps and of ODP cases, 2020, embroidery on fabric, overall: 55 in. × 137 34 in. (139.7 × 349.9 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and through the American Women’s History Initiative, 2021.37

Artwork Details

Title
reconstructing an exodus history: boat trajectories from Vietnam and flight routes from refugee camps and of ODP cases
Date
2020
Location
Not on view
Dimensions
overall: 55 in. × 137 34 in. (139.7 × 349.9 cm)
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and through the American Women’s History Initiative
Mediums
Mediums Description
embroidery on fabric
Classifications
Subjects
  • Object — written matter — map
Object Number
2021.37

Artwork Description

Delicate trails of scarlet thread embroidered across oceans of fabric represent the real-life journeys of refugees who fled Vietnam in the late twentieth century. Tiffany Chung compiled these routes to capture a perspective that had never been told: those of people like her family, who were forced to escape after the war ravaged their home country.

For Chung, the map is a way to frame her own experience. Having lived through the war and a subsequent move to the United States, she is fascinated by how political events change the world in ways big and small, shaping large-scale geographies as much as individual lives.

Works by this artist (3 items)

William Lyman Underwood, Joe Mell, Asleep in His Canoe, ca. 1895, platinum print, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.186
Joe Mell, Asleep in His Canoe
Dateca. 1895
platinum print
Not on view
William Lyman Underwood, Three Porcupines, ca. 1895, platinum print, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.188
Three Porcupines
Dateca. 1895
platinum print
Not on view

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