Remembering Brown vs Board of Education

Ora Clay, Remembering Brown vs Board of Education, 2015, cotton fabric and cotton batting, Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.12
Ora Clay, Remembering Brown vs Board of Education, 2015, cotton fabric and cotton batting, 56 38 × 46 58 in. (143.2 × 118.4 cm), Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.12

Artwork Details

Title
Remembering Brown vs Board of Education
Artist
Date
2015
Dimensions
56 38 × 46 58 in. (143.2 × 118.4 cm)
Credit Line
Gift of Fleur S. Bresler
Mediums
Mediums Description
cotton fabric and cotton batting
Classifications
Subjects
  • Children
  • African American
  • Occupation — education — student
  • History — United States — Black History
  • History — United States — Civil Rights Movement
  • Occupation — other — reformer
Object Number
2023.40.12

Artwork Description

Ora Clay
born 1945, ????Union Springs, AL
resides Oakland, CA

Remembering Brown vs Board of Education
2015
cotton fabric and cotton batting

 
Having attended segregated schools in Union Springs, Alabama, Ora Clay asserts that “we have a duty to tell our story.” Clay’s quilt commemorates Brown v. Board of Education, the 1954 landmark Supreme Court case that ruled racial segregation in public schools and its underlying “separate but equal” doctrine unconstitutional. Composed of so-called courthouse steps blocks, the quilt features the names of the case’s thirteen plaintiffs, along with those of lawyers who represented them. 

Two dolls at lower right allude to a test developed by Drs. Kenneth and Mamie Clark on the effects of segregation. Finding that Black children from segregated schools thought positively of white dolls and negatively of Black dolls—and were thus inclined to think negatively of themselves—the Clarks’ test was an important factor in the court’s landmark decision.

Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.12


We Gather at the Edge: Contemporary Quilts of Black Women Artists, 2025

Works by this artist (18 items)

William Merritt Chase, Shinnecock Hills, ca. 1895, oil on canvas, Smithsonian American Art Museum, Gift of William T. Evans, 1909.7.11
Shinnecock Hills
Dateca. 1895
oil on canvas
On view
Diego Velázquez, William Merritt Chase, Head of a Man, ca. 1872-1879, oil on canvas, Smithsonian American Art Museum, Transfer from Cooper-Hewitt Museum of Decorative Arts and Design, Smithsonian Institution, 1974.69.23
Head of a Man
Dateca. 1872-1879
oil on canvas
Not on view
Henry Wolf, William Merritt Chase, The Artist's Daughter Alice, 1896, wood engraving on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1973.130.124
The Artist’s Daughter Alice
Date1896
wood engraving on paper
Not on view
William Merritt Chase, Terrace, Prospect Park, ca. 1887, pastel, Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.12
Terrace, Prospect Park
Dateca. 1887
pastel
Not on view

More Artworks from the Collection

Bently
Dateca. 1975
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view