Swing Low, Sweet Chariot

William H. Johnson, Swing Low, Sweet Chariot, ca. 1944, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1983.95.52
William H. Johnson, Swing Low, Sweet Chariot, ca. 1944, oil on paperboard, 28 5826 12 in. (72.667.2 cm), Smithsonian American Art Museum, Gift of the Harmon Foundation, 1983.95.52

Artwork Details

Title
Swing Low, Sweet Chariot
Date
ca. 1944
Location
Not on view
Dimensions
28 5826 12 in. (72.667.2 cm)
Credit Line
Gift of the Harmon Foundation
Mediums
Mediums Description
oil on paperboard
Classifications
Subjects
  • Landscape — river
  • Figure group — female
  • African American
  • Animal — horse
  • Figure male — full length
  • Architecture — vehicle — carriage
  • Religion — angel
Object Number
1983.95.52

Artwork Description

In Swing Low, Sweet Chariot, a line of fashionable angels welcomes a man to heaven. Having arrived by a horse-drawn chariot, he greets them with open arms. In the Bible, the prophet Elijah was carried to heaven by a chariot of fire at the end of his life. Swing Low, Sweet Chariot is also the title of an African American spiritual of slave origins. The song is attributed to Wallace Willis, a slave from Oklahoma; his inspiration was the land beyond the Ohio River. Like other songs of resistance, the spiritual uses encoded language that would have been familiar to slaves. "Home" could mean either heaven or land of freedom. The lines "I looked over Jordan and what did I see/Coming for to carry me home/A band of angels coming after me" refers to the town of Ripley, Ohio, which was a station on the Underground Railroad. The town is located on a hill across the Ohio River, a difficult point of the journey to freedom. At this juncture, the fugitive slaves had to wait for helpers to arrive before they could continue. The artist, William H. Johnson, chose a subject that would have been familiar to African Americans, fashioning traditional religious symbols into an image meant for this community.

Works by this artist (14 items)

Ken Price, Blue Pearl, 1996, painted earthenware, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1999.37
Blue Pearl
Date1996
painted earthenware
Not on view
Ken Price, Acrobatic Figurine Cups, 1970, color lithograph on paper, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1988.18.13
Acrobatic Figurine Cups
Date1970
color lithograph on paper
Not on view
Ken Price, Jivaroland Frog Cup, 1968, color lithograph, Smithsonian American Art Museum, Gift of the Tamarind Lithography Workshop, Inc., 1973.102.1
Jivaroland Frog Cup
Date1968
color lithograph
Not on view
Ken Price, Figurine Cup IV, from the Figurine Cup Series, 1970, color lithograph and screenprint on paper, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1988.18.12
Figurine Cup IV, from the Figurine Cup Series
Date1970
color lithograph and screenprint on paper
Not on view

Audio

WILLIAM H. JOHNSON

Born: Florence, South Carolina 1901–Died: Central Islip, New York 1970

Swing Low, Sweet Chariot

about 1944, oil on paperboard

Video Player is loading.
Loaded: 0%
Stream Type LIVE
Remaining Time -:-
 
1x
    • Chapters
    • descriptions off, selected
    • captions off, selected

      Exhibitions

      Media - 2019.29.1 - SAAM-2019.29.1_1 - 138052
      Dawoud Bey and William H. Johnson
      May 12, 2021August 5, 2021
      This focused installation features recently acquired photographs by Dawoud Bey in conversation with a painting by William H. Johnson that refer to the Underground Railroad.