Swing Low, Sweet Chariot

William H. Johnson, Swing Low, Sweet Chariot, ca. 1944, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1983.95.52
William H. Johnson, Swing Low, Sweet Chariot, ca. 1944, oil on paperboard, 28 5826 12 in. (72.667.2 cm), Smithsonian American Art Museum, Gift of the Harmon Foundation, 1983.95.52

Artwork Details

Title
Swing Low, Sweet Chariot
Date
ca. 1944
Location
Not on view
Dimensions
28 5826 12 in. (72.667.2 cm)
Credit Line
Gift of the Harmon Foundation
Mediums
Mediums Description
oil on paperboard
Classifications
Subjects
  • Landscape — river
  • Figure group — female
  • African American
  • Animal — horse
  • Figure male — full length
  • Architecture — vehicle — carriage
  • Religion — angel
Object Number
1983.95.52

Artwork Description

In Swing Low, Sweet Chariot, a line of fashionable angels welcomes a man to heaven. Having arrived by a horse-drawn chariot, he greets them with open arms. In the Bible, the prophet Elijah was carried to heaven by a chariot of fire at the end of his life. Swing Low, Sweet Chariot is also the title of an African American spiritual of slave origins. The song is attributed to Wallace Willis, a slave from Oklahoma; his inspiration was the land beyond the Ohio River. Like other songs of resistance, the spiritual uses encoded language that would have been familiar to slaves. "Home" could mean either heaven or land of freedom. The lines "I looked over Jordan and what did I see/Coming for to carry me home/A band of angels coming after me" refers to the town of Ripley, Ohio, which was a station on the Underground Railroad. The town is located on a hill across the Ohio River, a difficult point of the journey to freedom. At this juncture, the fugitive slaves had to wait for helpers to arrive before they could continue. The artist, William H. Johnson, chose a subject that would have been familiar to African Americans, fashioning traditional religious symbols into an image meant for this community.

Works by this artist (7 items)

William Hunter, Golden Shell, 1994, satinwood, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.60.24, © 1994, William Hunter
Golden Shell
Date1994
satinwood
Not on view
William Hunter, Visions, 1987, cocobolo, Smithsonian American Art Museum, Gift of Jane and Arthur K. Mason, 1991.169.4, © 1987, William Hunter
Visions
Date1987
cocobolo
Not on view
Marianne Hunter, William Hunter, Africa, 1990, satinwood, ebony, 24k gold, sterling silver, fine silver, enamel, and rutilated quartz, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.60.27A-C, © 1990, William and Marianne Hunter
Africa
Date1990
satinwood, ebony, 24k gold, sterling silver, fine silver, enamel, and rutilated quartz
Not on view
Marianne Hunter, William Hunter, Evening Blossom, 1989, ebony, 24k gold, sterling silver, enamel, amethyst, and charoite, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.60.26A-C, © 1989, William and Marianne Hunter
Evening Blossom
Date1989
ebony, 24k gold, sterling silver, enamel, amethyst, and charoite
Not on view

Audio

WILLIAM H. JOHNSON

Born: Florence, South Carolina 1901–Died: Central Islip, New York 1970

Swing Low, Sweet Chariot

about 1944, oil on paperboard

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      Exhibitions

      Media - 2019.29.1 - SAAM-2019.29.1_1 - 138052
      Dawoud Bey and William H. Johnson
      May 12, 2021August 5, 2021
      This focused installation features recently acquired photographs by Dawoud Bey in conversation with a painting by William H. Johnson that refer to the Underground Railroad.

      More Artworks from the Collection

      Gene Pozzesi, Untitled, ca. 1996, Gabon ebony, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.60.47
      Untitled
      Dateca. 1996
      Gabon ebony
      Not on view
      Ron Fleming, Black Lotus, 1996, ebony, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.60.16
      Black Lotus
      Date1996
      ebony
      Not on view
      Frederick A. Miller, Dish, 1960, hammered and engraved sterling silver with ebony, Smithsonian American Art Museum, Gift of an anonymous donor in memory of Dorothy S. Payer and in honor of Frederick A. Miller, 1992.107.2
      Dish
      Date1960
      hammered and engraved sterling silver with ebony
      On view
      Earl Pardon, Box Ring, ca. 1960, sterling silver, ebony, ivory and amethyst, Smithsonian American Art Museum, Museum purchase through the Renwick Acquisitions Fund, 2003.20
      Box Ring
      Dateca. 1960
      sterling silver, ebony, ivory and amethyst
      Not on view