Untitled (Lady)

William Dawson, Untitled (Lady), ca. 1970 - 1980, painted wood and hair, 13 12 × 3 12 × 2 14 in. (34.3 × 8.9 × 5.7 cm), Smithsonian American Art Museum, Gift of Orren and Marilyn Bradley and Kohler Foundation, Inc., 2015.58.8

Artwork Details

Title
Untitled (Lady)
Date
ca. 1970 - 1980
Dimensions
13 12 × 3 12 × 2 14 in. (34.3 × 8.9 × 5.7 cm)
Credit Line
Gift of Orren and Marilyn Bradley and Kohler Foundation, Inc.
Mediums Description
painted wood and hair
Classifications
Subjects
  • Figure female — full length
Object Number
2015.58.8

Artwork Description

William Dawson began carving when he was semiretired and working as a security guard, which allowed him the time to whittle. Dawson’s work became renowned as part of the 1982 exhibition Black Folk Art in America 1930-1980 at the Corcoran Gallery of Art in Washington, D.C. Untitled (Lady), carved in the round, also has movable arms fastened to the body with nails. Dawson outlined his figures with a coping saw and used wood files and X-Acto knives for detailing. He then painted the sculptures with bright acrylics, adding a varnish finish for extra gloss. He attached found objects such as human hair to give the figure character and add realism.

Works by this artist (6 items)

William Dawson, Untitled (Family Tree Totem), 1977, painted wood, Smithsonian American Art Museum, Gift of Orren and Marilyn Bradley and Kohler Foundation, Inc., 2015.58.7
Untitled (Family Tree Totem)
Date1977
painted wood
On view
William Dawson, Self-Portrait, ca. 1970 - 1980, painted wood, Smithsonian American Art Museum, Gift of Orren and Marilyn Bradley and Kohler Foundation, Inc., 2015.58.6
Self-Portrait
Dateca. 1970 - 1980
painted wood
On view
William Dawson, Totem, ca. 1975, acrylic and felt-tipped pen and ink on carved wood, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak, 1981.136.1
Totem
Dateca. 1975
acrylic and felt-tipped pen and ink on carved wood
On view
William Dawson, Untitled (Lady), ca. 1970 - 1980, painted wood and hair, Smithsonian American Art Museum, Gift of Orren and Marilyn Bradley and Kohler Foundation, Inc., 2015.58.8
Untitled (Lady)
Dateca. 1970 - 1980
painted wood and hair
On view

More Artworks from the Collection

Jesús Moroles, Lapstrake I, 1980, Georgia gray granite, Smithsonian American Art Museum, Gift of Alton and Emily Steiner, 2002.82
Lapstrake I
Date1980
Georgia gray granite
Not on view
John Safer, Chandelle, 1969, revised 2013, Lucite, Smithsonian American Art Museum, Gift of the artist, 2007.23
Chandelle
Date1969, revised 2013
Lucite
Not on view
Joseph Cornell, Untitled (Shell), early 1930s, mixed media: paperboard, paper, shells, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1985.64.37
Untitled (Shell)
Dateearly 1930s
mixed media: paperboard, paper, shells
Not on view
Emery Blagdon, The Healing Machine, ca. 1955-1986, mixed media, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and gift of Dan Dryden, friend of Emery Blagdon, the Kohler Foundation, Inc., and John E. and Douglas O. Robson, from the Margaret Z. Robson Collection, VR.2014.49.GRP
The Healing Machine
Dateca. 1955-1986
mixed media
On view