Untitled (Standing on a bucket, Blake Avenue, East New York)

Frank Espada, Untitled (Standing on a bucket, Blake Avenue, East New York), 1964, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.22.7, © 1964, Frank Espada Photography
Frank Espada, Untitled (Standing on a bucket, Blake Avenue, East New York), 1964, gelatin silver print, 5 3⁄4 × 8 3⁄4 in. (14.6 × 22.2 cm), Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.22.7, © 1964, Frank Espada Photography

Artwork Details

Title
Untitled (Standing on a bucket, Blake Avenue, East New York)
Artist
Date
1964
Location
Not on view
Dimensions
5 3⁄4 × 8 3⁄4 in. (14.6 × 22.2 cm)
Copyright
© 1964, Frank Espada Photography
Credit Line
Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Mediums Description
gelatin silver print
Classifications
Subjects
  • Object — furniture — trash can
  • Cityscape — New York — New York
  • Cityscape — street
  • Recreation — sport and play
  • Dress — accessory — hat
  • Portrait male — unidentified — child
  • Architecture Exterior
  • Object — other — container
Object Number
2015.22.7
Linked Open Data
https://edan.si.edu/saam/id/object/2015.22.7

Works by this artist (2 items)

Kamekichi Tokita, Self Portrait, ca. 1935, oil on canvas, Smithsonian American Art Museum, Gift of the Kamekichi and Haruko Tokita family of Seattle, Washington, USA, 2023.11
Self Portrait
Artist
Dateca. 1935
oil on canvas
On view
Kamekichi Tokita, Untitled (Still Life), ca. 1935-1938, watercolor on paper with pencil, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 2012.22
Untitled (Still Life)
Artist
Dateca. 1935-1938
watercolor on paper with pencil
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017–August 5, 2017
Smithsonian American Art Museum
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

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William H. Johnson, Kairouan, Tunisia, 1932, watercolor with pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.859
Kairouan, Tunisia
Artist
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Ben Cunningham, Resources of the Soil (Mural Study, Ukiah, California Post Office), ca. 1938, tempera, pencil and watercolor on illustration board, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.127
Resources of the Soil (Mural Study, Ukiah, California Post…
Artist
Dateca. 1938
tempera, pencil and watercolor on illustration board
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Walton Blodgett, Lonesome Alley, 1936, watercolor and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1980.128.5
Lonesome Alley
Artist
Date1936
watercolor and pencil on paper
Not on view