When will the Red Leader Overshadow Images of the 19th Century Noble Savage in Hollywood Films that Some Think are Sympathetic to American Indians

Gail Tremblay, When will the Red Leader Overshadow Images of the 19th Century Noble Savage in Hollywood Films that Some Think are Sympathetic to American Indians, 2018, 35mm film from "Windwalker" (1981), red and white film leader, silver braid, 15 1⁄2 in. × 14 in. × 14 in. (39.4 × 35.6 × 35.6 cm), Smithsonian American Art Museum, Museum purchase made possible by Ms. Brenda Erickson in honor of the James Renwick Alliance, 2021.11, © 2018, Gail E. Tremblay

Artwork Details

Title
When will the Red Leader Overshadow Images of the 19th Century Noble Savage in Hollywood Films that Some Think are Sympathetic to American Indians
Artist
Date
2018
Location
Not on view
Dimensions
15 1⁄2 in. × 14 in. × 14 in. (39.4 × 35.6 × 35.6 cm)
Copyright
© 2018, Gail E. Tremblay
Credit Line
Museum purchase made possible by Ms. Brenda Erickson in honor of the James Renwick Alliance
Mediums
Mediums Description
35mm film from "Windwalker" (1981), red and white film leader, silver braid
Classifications
Subjects
  • Abstract
  • Indian
Object Number
2021.11
Linked Open Data
https://edan.si.edu/saam/id/object/2021.11

Artwork Description

This basket is filled with meaning, from the title to the color choice and type of stitch. It incorporates 35mm film from the 1981 western Windwalker, in which one Native American tribe is portrayed as noble and the other as villainous. The red film leader and the reference to “Red Leader” in the basket’s title symbolize the derogatory term used to describe Native Americans. Gail Tremblay twists the film into a prickly porcupine stitch. Often using movies and documentaries with Native characters and storylines, the artist notes, “I enjoyed the notion of recycling film and gaining control over a medium that had historically been used by Hollywood and documentary filmmakers to stereotype American Indians.”


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Works by this artist (97 items)

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Reginald Marsh, Locomotives, Jersey City, 1934, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Bequest of Felicia Meyer Marsh, 1979.127.1
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Reginald Marsh, Untitled, watercolor and pencil on paper, Smithsonian American Art Museum, 1979.127.4
Untitled
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watercolor and pencil on paper
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Reginald Marsh, Atlantic Liner in Harbor with Tugs (mural study, U.S. Customs House, New York, New York), 1937, tempera on fiberboard, Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior, National Park Service, 1965.18.103
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Date1937
tempera on fiberboard
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Reginald Marsh, Untitled, 1927, watercolor and pencil on paper, Smithsonian American Art Museum, 1979.127.3
Untitled
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Date1927
watercolor and pencil on paper
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