Wolves Courting at Full Moon

  • Christine McHorse, Wolves Courting at Full Moon, 1988, fired micaceous clay with piñon pitch, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.161

Luce Center Label

Christine McHorse uses sparkling mica clay from the mountains around Taos Pueblo in northern New Mexico. She breaks several Navajo traditions in her work by applying imagery to the clay and firing it in an electric kiln, but believes that she can make her "own traditions and taboos" (Chuck and Jan Rosenak, Museum of American Folk Art Encyclopedia, 1990). Animals are important in Native American culture, and in these pieces McHorse has incorporated the crow, symbol of the gateway to the supernatural, and the wolf, which Navajos regard as a teacher of wisdom.

Luce Object Quote

"Beauty and simplicity is the basis of my work in clay and silver. The shiny earth and metal provide means of expression through the oldest of crafts." Christine McHorse, Chuck and Jan Rosenak research material, 1990-1999, Archives of American Art, Smithsonian Institution

Title
Wolves Courting at Full Moon
Artist
Date
1988
Location
Dimensions
11 5/8 x 13 7/8 in. (29.5 x 35.2 cm) diam.
Credit Line

Smithsonian American Art Museum

Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson

Mediums
Mediums Description
fired micaceous clay with piñon pitch
Classifications
Keywords
  • Animal – wolf
Object Number
1997.124.161
Palette
Linked Open Data
Linked Open Data URI
Audio

Wolves Courting at Full Moon
1980, enamel on plywood with painted frame

CHRISTINE MCHORSE
Born: Morenci, Arizona 1948

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