Young Omahaw, War Eagle, Little Missouri, and Pawnees

Charles Bird King, Young Omahaw, War Eagle, Little Missouri, and Pawnees, 1821, oil on canvas, Smithsonian American Art Museum, Gift of Miss Helen Barlow, 1985.66.384,222
Charles Bird King, Young Omahaw, War Eagle, Little Missouri, and Pawnees, 1821, oil on canvas, 28 in. x 36 18 in. (71.191.8 cm), Smithsonian American Art Museum, Gift of Miss Helen Barlow, 1985.66.384,222
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Artwork Details

Title
Young Omahaw, War Eagle, Little Missouri, and Pawnees
Date
1821
Dimensions
28 in. x 36 18 in. (71.191.8 cm)
Credit Line
Gift of Miss Helen Barlow
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Indian — Pawnee
  • Object — weapon — spear
Object Number
1985.66.384,222

Artwork Description

These Plains Indian chiefs were among many who traveled to Washington to meet with the president to negotiate their territorial rights with the government. At the White House, the Capitol, and in private homes, policymakers employed bribery, dazzle, and intimidation to win the cooperation of these men. In his Seventh Street studio, Charles Bird King painted their portraits, creating a gallery of allies in the government’s plan to settle the Indian question peacefully.

War Eagle wears a presidential peace medal, valued by Native Americans as a sign of status and worn on all formal occasions. The artist painted the chiefs with a war axe, blood-red face paint, and eagle feathers atop their heads, reinforcing the romantic image of Indians as savages. One Englishman, however, saw them differently. He described them as "men of large stature, very muscular, having fine open countenances, with the real noble Roman nose, dignified in their manners, and peaceful and quiet in their habits."

Exhibition Label, Smithsonian American Art Museum, 2006

Works by this artist (22 items)

Martin Lewis, R.F.D., 1933, drypoint and aquatint on paper, Smithsonian American Art Museum, Bequest of Frank McClure, 1979.98.159
R.F.D.
Date1933
drypoint and aquatint on paper
Not on view
Martin Lewis, H'anted, 1932, drypoint, sandpaper ground, on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.193
H’anted
Date1932
drypoint, sandpaper ground, on paper
Not on view
Martin Lewis, The Return, 1925, etching on paper, Smithsonian American Art Museum, Gift of Nion McEvoy, 2014.39.5
The Return
Date1925
etching on paper
Not on view
Martin Lewis, Tree, Manhattan, n.d., drypoint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.194
Tree, Manhattan
Daten.d.
drypoint
Not on view

More Artworks from the Collection

Still Life
Date1931
watercolor on paper
Not on view
Mary Vaux Walcott, Hedysarum (Hedysarum sulphurescens), 1917, watercolor on paper, Smithsonian American Art Museum, Gift of the artist, 1970.355.185
Hedysarum (Hedysarum sulphurescens)
Date1917
watercolor on paper
Not on view
Andrew Wyeth, Chimney Beams, 1950, watercolor on wove paper, Smithsonian American Art Museum, Bequest of Henry Ward Ranger through the National Academy of Design, 2023.54
Chimney Beams
Date1950
watercolor on wove paper
Not on view
John Heliker, (Landscape), 1936, watercolor on paper, Smithsonian American Art Museum, Bequest of Olin Dows, 1983.90.73
(Landscape)
Date1936
watercolor on paper
Not on view