After Marcocino

Henry Darger, After Marcocino, after 1934, watercolor, carbon tracing, and pencil on joined papers, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.168A
Henry Darger, After Marcocino, after 1934, watercolor, carbon tracing, and pencil on joined papers, 1947 38 in. (48.3120.4 cm), Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.168A

Artwork Details

Title
After Marcocino
Artist
Date
after 1934
Location
Not on view
Dimensions
1947 38 in. (48.3120.4 cm)
Credit Line
Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson
Mediums Description
watercolor, carbon tracing, and pencil on joined papers
Classifications
Subjects
  • Dress — uniform — military uniform
  • Figure group
Object Number
1986.65.168A

Works by this artist (2 items)

Henry Darger, At Jullio Calleo, after 1934, watercolor, carbon tracing, and pencil on joined papers, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.168B
At Jullio Calleo
Dateafter 1934
watercolor, carbon tracing, and pencil on joined papers
Not on view
Henry Darger, After Marcocino, after 1934, watercolor, carbon tracing, and pencil on joined papers, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.168A
After Marcocino
Dateafter 1934
watercolor, carbon tracing, and pencil on joined papers
Not on view

More Artworks from the Collection

Patsy Billups, Let's Go to the Church Today, 1974, watercolor, colored pencil and pen on paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.105
Let’s Go to the Church Today
Date1974
watercolor, colored pencil and pen on paper
Not on view
John Banks, To Much Fun? In the Wrong Place, 1980s, colored pencil, watercolor and felt-tipped pen on poster board, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.104
To Much Fun? In the Wrong Place
Date1980s
colored pencil, watercolor and felt-tipped pen on poster board
Not on view
Robert Arneson, (Study for Ikaros), 1979, watercolor, pen and ink, colored pencil and pencil, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.131
(Study for Ikaros)
Date1979
watercolor, pen and ink, colored pencil and pencil
Not on view
Peter Minchell, THE ENEMY FLED SEEING JUDITH WITH THE HEAD of HOLOFERNES, 1973, watercolor, pen and ink, and pencil on paper, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.183
THE ENEMY FLED SEEING JUDITH WITH THE HEAD of HOLOFERNES
Date1973
watercolor, pen and ink, and pencil on paper
Not on view