The Savoyard Boy in London

James Edward Freeman, The Savoyard Boy in London, 1865, oil on canvas, Smithsonian American Art Museum, Museum purchase, 1978.121
James Edward Freeman, The Savoyard Boy in London, 1865, oil on canvas, 54 1243 34 in. (138.4111.2 cm), Smithsonian American Art Museum, Museum purchase, 1978.121
Free to use

Artwork Details

Title
The Savoyard Boy in London
Date
1865
Location
Not on view
Dimensions
54 1243 34 in. (138.4111.2 cm)
Credit Line
Museum purchase
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • State of being — other — homeless
  • Cityscape — England — London
  • State of being — other — poverty
  • State of being — other — sleep
  • Animal — monkey
  • Children
Object Number
1978.121

Artwork Description

James Freeman's image of an exhausted, threadbare boy dozing on a London curb typifies the "fancy pictures" of sweet, colorful street children popular on both sides of the Atlantic. But the painting also reflects one of the great reform issues of the nineteenth century. The young beggars were often called "Savoyard boys" because many had emigrated from the Savoy region of Italy. In London, these children were the targets of gang leaders and "resurrection men," the body snatchers who supplied anatomy schools with cadavers.

Torn posters and fliers that mention freed slaves and traveling minstrels emphasize the disreputable condition of these children. More privileged citizens—like those seen in the background of this painting—were morbidly fascinated and outraged by the victimization of the Savoyard beggars. A famous case involving the murder of a boy and the sale of his corpse to a noted physician sparked a frenzy of news stories that led to reform measures in England's parliament.

Exhibition Label, Smithsonian American Art Museum, 2006

Works by this artist (1036 items)

William H. Johnson, Breakdown with Flat Tire, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.587
Breakdown with Flat Tire
Dateca. 1940-1941
oil on plywood
On view
William H. Johnson, Chain Gang, ca. 1939, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.675
Chain Gang
Dateca. 1939
oil on plywood
On view
William H. Johnson, Young Pastry Cook, ca. 1928-1930, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.693
Young Pastry Cook
Dateca. 1928-1930
oil on canvas
On view
William H. Johnson, Tehran Conference, ca. 1945, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.647
Tehran Conference
Dateca. 1945
oil on plywood
On view

More Artworks from the Collection

William H. Johnson, Village Streets, ca. 1930-1935, brush and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.110
Village Streets
Dateca. 1930-1935
brush and ink and pencil on paper
Not on view
William H. Johnson, Religious Scenes: Parable with a Woman; Come Unto Me, Little Children; The Tempation of Christ or Get Thee behind Me, Satan; Crucifixion, ca. 1944, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.365
Religious Scenes: Parable with a Woman; Come Unto Me,…
Dateca. 1944
pen and ink and pencil on paper
Not on view
William Zorach, Studies of African Carvings, 1922, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift from the collection of the Zorach children, 1976.145.67
Studies of African Carvings
Date1922
pen and ink and pencil on paper
Not on view
Rockne Krebs, Pattern of 15 Basswood Trees, 1970 and 1973, pen and ink on paper mounted on pencil and pastel on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Daniel Fendrick, 1980.131.2
Pattern of 15 Basswood Trees
Date1970 and 1973
pen and ink on paper mounted on pencil and pastel on paper
Not on view