Study for ​“All religions must be tolerated, and the sole concern of the authorities should be to see that one does not molest another, for here every man must be saved in his own way.” – Frederick the Great on Tolerance. From the series Great Ideas of 

Luise Kaish, Study for "All religions must be tolerated, and the sole concern of the authorities should be to see that one does not molest another, for here every man must be saved in his own way."--Frederick the Great on Tolerance. From the series Great Ideas of Western Man., before 1961, pen and ink and charcoal on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.134
Luise Kaish, Study for "All religions must be tolerated, and the sole concern of the authorities should be to see that one does not molest another, for here every man must be saved in his own way."--Frederick the Great on Tolerance. From the series Great Ideas of , before 1961, pen and ink and charcoal on paper mounted on paperboard, sight 23 5⁄8 x 17 7⁄8 in. (60.0 x 45.5 cm), Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.134

Artwork Details

Title
Study for ​“All religions must be tolerated, and the sole concern of the authorities should be to see that one does not molest another, for here every man must be saved in his own way.” – Frederick the Great on Tolerance. From the series Great Ideas of Western Man.
Artist
Date
before 1961
Location
Not on view
Dimensions
sight 23 5⁄8 x 17 7⁄8 in. (60.0 x 45.5 cm)
Credit Line
Gift of Container Corporation of America
Mediums
Mediums Description
pen and ink and charcoal on paper mounted on paperboard
Classifications
Subjects
  • Figure female
  • Study
  • State of being — emotion — sorrow
Object Number
1984.124.134
Linked Open Data
https://edan.si.edu/saam/id/object/1984.124.134

Works by this artist (19 items)

View all artworks
Thomas Vigil, Costume Studies-Eagle, Buffalo, and Antelope Dances, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.59
Costume Studies-Eagle, Buffalo, and Antelope Dances
Artist
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Snow Bird Dancers, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.56
Snow Bird Dancers
Artist
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Women's Dance, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.62
Women’s Dance
Artist
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Buffalo Dancer, ca. 1920-1930, gouache and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.67
Buffalo Dancer
Artist
Dateca. 1920-1930
gouache and pencil on paper
Not on view

More Artworks from the Collection

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Marguerite Zorach, Commerce and Industry (mural study), ca. 1932-1934, oil and pencil on canvas, Smithsonian American Art Museum, Gift from the collection of Tessim Zorach, 1970.65.21
Commerce and Industry (mural study)
Artist
Dateca. 1932-1934
oil and pencil on canvas
Not on view
Rockwell Kent, Mail Service in the Tropics (mural study, U.S. Post Office Department, Washington, D.C.), ca. 1935-1936, pencil and oil on plywood, Smithsonian American Art Museum, Transfer from the General Services Administration, 1982.86.2
Mail Service in the Tropics (mural study, U.S. Post Office…
Artist
Dateca. 1935-1936
pencil and oil on plywood
Not on view
Daniel Putnam Brinley, The Land is Bought from the Indians (Study for mural, Blakely, Georgia post office), 1937, oil, tempera and pencil on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.305
The Land is Bought from the Indians (Study for mural,…
Artist
Date1937
oil, tempera and pencil on paperboard
Not on view
Werner Drewes, Pointed Brown and Floating Circles, 1933, oil, pen and ink, and pencil on wood panel, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.17
Pointed Brown and Floating Circles
Artist
Date1933
oil, pen and ink, and pencil on wood panel
On view