Placa/​Rollcall

Charles "Chaz" Bojórquez, Placa/Rollcall, 1980, acrylic on canvas, Smithsonian American Art Museum, Gift of the artist, 1992.64.1
Charles "Chaz" Bojórquez, Placa/Rollcall, 1980, acrylic on canvas, 68 1⁄4 x 83 1⁄8 in. (173.4 x 211.0 cm.), Smithsonian American Art Museum, Gift of the artist, 1992.64.1

Artwork Details

Title
Placa/​Rollcall
Artist
Date
1980
Location
Not on view
Dimensions
68 1⁄4 x 83 1⁄8 in. (173.4 x 211.0 cm.)
Credit Line
Gift of the artist
Mediums
Mediums Description
acrylic on canvas
Classifications
Subjects
  • Object — letter
  • Abstract
Object Number
1992.64.1
Linked Open Data
https://edan.si.edu/saam/id/object/1992.64.1

Artwork Description

Bojórquez is recognized for bringing Chicano graffiti (or Cholo graffiti) into the established art world. In Placa/Rollcall he blended this form of street art, which denotes territory and neighborhood loyalty, with a personal roll call of people he holds near and dear. An array of fanciful letters fills the canvas. Among the names he includes are Larry, Raton, Snow, and Blades (his girlfriend). Bojórquez’s works showcase the artistry of Chicano graffiti and resonate with traditions of abstract art and calligraphic forms from around the world.

Our America: The Latino Presence in American Art, 2013
Description in Spanish

Bojórquez es reconocido por haber introducido el graffiti chicano (o de cholos) en el mundo del arte establecido. En Placa/​Rollcall fusionó esta forma de arte callejero que marca el territorio y denota la lealtad al barrio, con una nómina personal de la gente que le es cercana y querida. Una matriz de letras intricadas llena la tela. Entre los nombres que incluye están Larry, Raton, Snow y Blades (su novia). La obra de Bojórquez demuestra la destreza artística del graffiti chicano haciendo eco a las tradiciones del arte abstracto y a las formas caligráficas de diversas partes del mundo.

Our America: The Latino Presence in American Art, 2013

Works by this artist (4 items)

Welmon Sharlhorne, Untitled (Building with Recessed Entrance and Black Foreground), ca. 1992, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.135
Untitled (Building with Recessed Entrance and Black…
Artist
Dateca. 1992
ink on manila envelope
Not on view
Welmon Sharlhorne, Untitled (Beaked Creature), ca. 1994, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.136
Untitled (Beaked Creature)
Artist
Dateca. 1994
ink on manila envelope
Not on view
Welmon Sharlhorne, Untitled (Building with Bricked Exterior), ca. 1992, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.137
Untitled (Building with Bricked Exterior)
Artist
Dateca. 1992
ink on manila envelope
Not on view
Welmon Sharlhorne, Bus, ca. 1992, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.134
Bus
Artist
Dateca. 1992
ink on manila envelope
Not on view

Related Books

OurAmerica_500.jpg
Our America: The Latino Presence in American Art
Our America: The Latino Presence in American Art explores how Latino artists shaped the artistic movements of their day and recalibrated key themes in American art and culture. This beautifully illustrated volume presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge. Our America includes works by artists who participated in all the various artistic styles and movements, including abstract expressionism; activist, conceptual, and performance art; and classic American genres such as landscape, portraiture, and scenes of everyday life. 

More Artworks from the Collection

Browse All Artworks
Welmon Sharlhorne, Untitled (Building with Recessed Entrance and Black Foreground), ca. 1992, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.135
Untitled (Building with Recessed Entrance and Black…
Artist
Dateca. 1992
ink on manila envelope
Not on view
Andrea Way, Bones, 1987, ink on paper, Smithsonian American Art Museum, Gift of Tom and Judy Brody, 2009.38.3, © 1987, Andrea Way
Bones
Artist
Date1987
ink on paper
Not on view
Carl Piwinski, Martian Worlds, ca. 1992, ink on paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.125
Martian Worlds
Artist
Dateca. 1992
ink on paper
Not on view
Christoph Voll, William H. Johnson, Heads of Two Children, ca. 1930-1938, pen and ink on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.388
Heads of Two Children
Artist
Dateca. 1930-1938
pen and ink on paper
Not on view