The ​“Hell Hole”, New Hope Church, Georgia, from Photographic Views of Sherman’s Campaign, plate 27

George N. Barnard, The "Hell Hole", New Hope Church, Georgia, from Photographic Views of Sherman's Campaign, plate 27, ca. 1866, albumen silver print, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.7
George N. Barnard, The "Hell Hole", New Hope Church, Georgia, from Photographic Views of Sherman's Campaign, plate 27, ca. 1866, albumen silver print, sheet and image: 10 1⁄8 x 14 1⁄8 in. (25.7 x 35.9 cm.), Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.7
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Artwork Details

Title
The ​“Hell Hole”, New Hope Church, Georgia, from Photographic Views of Sherman’s Campaign, plate 27
Artist
Date
ca. 1866
Location
Not on view
Dimensions
sheet and image: 10 1⁄8 x 14 1⁄8 in. (25.7 x 35.9 cm.)
Credit Line
Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
albumen silver print
Classifications
Subjects
  • Landscape — tree
  • Landscape — Georgia
Object Number
1994.91.7
Linked Open Data
https://edan.si.edu/saam/id/object/1994.91.7

Works by this artist (2 items)

Charles Parsons, U.S. Mail Steamer, Illinois, ca. 1835-1861, hand-colored lithograph on paper, Smithsonian American Art Museum, Museum purchase, 1966.42.2
U.S. Mail Steamer, Illinois
Artist
Dateca. 1835-1861
hand-colored lithograph on paper
Not on view
Arthur Fitzwilliam Tait, Charles Parsons, American Field Sports. "On a Point.", 1857, hand-colored lithograph on paper, Smithsonian American Art Museum, Transfer from the National Museum of American History, Division of Graphic Arts, Smithsonian Institution, 1973.122.13
American Field Sports. ​“On a Point.”
Artist
Date1857
hand-colored lithograph on paper
Not on view

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