Public Transit Areas, 10th St. and Long Beach Blvd., Looking East, from the Long Beach Documentary Survey Project

Anthony Hernandez, Public Transit Areas, 10th St. and Long Beach Blvd., Looking East, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.678, © 1980, Anthony Hernandez
Anthony Hernandez, Public Transit Areas, 10th St. and Long Beach Blvd., Looking East, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, image: 12 1218 14 in. (31.746.4 cm) sheet: 1620 in. (40.650.8 cm), Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.678, © 1980, Anthony Hernandez

Artwork Details

Title
Public Transit Areas, 10th St. and Long Beach Blvd., Looking East, from the Long Beach Documentary Survey Project
Date
1980
Location
Not on view
Dimensions
image: 12 1218 14 in. (31.746.4 cm) sheet: 1620 in. (40.650.8 cm)
Copyright
© 1980, Anthony Hernandez
Credit Line
Transfer from the National Endowment for the Arts
Mediums Description
gelatin silver print
Classifications
Subjects
  • Architecture — vehicle — automobile
  • Cityscape — street — 10th Street
  • African American
  • Figure female — full length
  • State of being — other — waiting
  • Cityscape — California — Long Beach
  • Cityscape — street — Long Beach Boulevard
Object Number
1983.63.678

Works by this artist (2 items)

Ginny Ruffner, Inventing the Music of Beauty, 1991, glass, oil paint, colored pencil, and ink, Smithsonian American Art Museum, Gift of Ann and Thomas Cousins, the James Renwick Alliance, and museum purchase through the Smithsonian Institution Collections Acquisition Program, 1992.81
Inventing the Music of Beauty
Date1991
glass, oil paint, colored pencil, and ink
On view
Ginny Ruffner, A Girl's Guide to Fashion Evolution, 1987, glass and acrylic paint, Smithsonian American Art Museum, Gift of Carol and Don Wiiken, 1999.57.17
A Girl’s Guide to Fashion Evolution
Date1987
glass and acrylic paint
On view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

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Susan Stinsmuehlen-Amend, Mogo Couplet SOSA, 1988, glass, wood and paint, Smithsonian American Art Museum, Gift of Carol and Don Wiiken, 1999.57.14
Mogo Couplet SOSA
Date1988
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Marvin Lipofsky, California Loop Series #7, 1968, copper-plated glass, paint, rayon flock, and floatation foam, Smithsonian American Art Museum, Gift of the artist in memory of Henry and Mildred Lipofsky, 1997.84.1, © 1969, Marvin B. Lipofsky
California Loop Series #7
Date1968
copper-plated glass, paint, rayon flock, and floatation foam
Not on view
Susan Plum, Carroza Solar, ca. 1992, blown and lampworked glass, fired lusters, paint and metal, Smithsonian American Art Museum, Gift of MCI, 2001.89.10
Carroza Solar
Dateca. 1992
blown and lampworked glass, fired lusters, paint and metal
On view