Blackberry Woman

Richmond Barthé, Blackberry Woman, modeled by 1930, cast 1932, bronze, 35 1212 1416 14 in. (90.131.141.3 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2001.6

Artwork Details

Title
Blackberry Woman
Date
modeled by 1930, cast 1932
Location
Not on view
Dimensions
35 1212 1416 14 in. (90.131.141.3 cm)
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
bronze
Classifications
Subjects
  • African American
  • Figure female — full length
  • Occupation — domestic — gathering
  • Object — other — basket
Object Number
2001.6

Artwork Description

The angular grace of Blackberry Woman speaks of stoicism and constancy. The subject – an African American woman in a simple dress who is balancing a basket on her head – is one Barthé may well have seen on market day as a boy growing up in Bay St. Louis, Mississippi. But she is more than an echo of an image once observed. She has the frontal, linear form found in West African sculpture, which Barthé first saw in Chicago, in an exhibition during “The Negro in Art Week” in November 1927, when he was a student at the School of the Art Institute of Chicago.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (1 item)

Mary Pinchot Meyer, Half Light, 1964, synthetic polymer on fabric: canvas, Smithsonian American Art Museum, Gift of Quentin and Mark Meyer, 1976.41
Half Light
Date1964
synthetic polymer on fabric: canvas
On view

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