Untitled (Chair in the snow, Manhattan Valley, New York)

Frank Espada, Untitled (Chair in the snow, Manhattan Valley, New York), 1981, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.22.13, © 1981, Frank Espada Photography
Frank Espada, Untitled (Chair in the snow, Manhattan Valley, New York), 1981, gelatin silver print, image: 13 18 × 19 58 in. (33.3 × 49.8 cm) sheet: 15 78 × 20 in. (40.3 × 50.8 cm), Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.22.13, © 1981, Frank Espada Photography

Artwork Details

Title
Untitled (Chair in the snow, Manhattan Valley, New York)
Artist
Date
1981
Location
Not on view
Dimensions
image: 13 18 × 19 58 in. (33.3 × 49.8 cm) sheet: 15 78 × 20 in. (40.3 × 50.8 cm)
Copyright
© 1981, Frank Espada Photography
Credit Line
Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Mediums Description
gelatin silver print
Classifications
Subjects
  • Cityscape — New York — New City
  • Architecture Exterior
  • Object — furniture — chair
  • Cityscape — weather — snow
  • Cityscape — season — winter
Object Number
2015.22.13

Artwork Description

An armchair, typically an object of domestic comfort and warmth, is cast off onto a cold and barren lot. Frank Espada's poetic photograph sheds light on a difficult chapter in New York history. It was taken in a neighborhood where arson for profit had destroyed buildings and displaced residents.

Down These Mean Streets: Community and Place in Urban Photography, 2017
Description in Spanish

Un sillón, que suele ser un objeto de comodidad y calor doméstico es desechado en un lote frío y árido. La poética fotografía de Frank Espada revela un capítulo difícil de la historia de Nueva York. La imagen fue tomada en un vecindario donde los incendios provocados con fines de lucro destruyeron edificios y desplazaron a los residentes.

Por estas calles bravas: Comunidad y lugar en la fotografía urbana, 2017

Works by this artist (1 item)

L.J. Roberts, The Queer Houses of Brooklyn in the Three Towns of Breukelen, Boswyck, and Midwout during the 41st Year of the Stonewall Era (based on a 2010 drawing by Daniel Rosza Lang/Levitsky with 24 illustrations by Buzz Slutzky on printed pin-back buttons), 2011, poly-fill, acrylic, rayon, Lurex, wool, polyester, cotton, lamé, sequins, and blended fabrics with printed pin-back buttons, Smithsonian American Art Museum, Gift of Elaine Reuben, 2012.43, © 2011, L.J. Roberts
The Queer Houses of Brooklyn in the Three Towns of…
Date2011
poly-fill, acrylic, rayon, Lurex, wool, polyester, cotton, lamé, sequins, and blended fabrics with printed pin-back buttons
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

George Catlin, Round Island, a Warrior, 1831, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.265
Round Island, a Warrior
Date1831
oil on canvas
Not on view
Carl Newman, (Landscape with Red Roof Building), ca. 1880-1910, oil on canvas, Smithsonian American Art Museum, Gift of Anna McCleery Newton, 1968.121.2
(Landscape with Red Roof Building)
Dateca. 1880-1910
oil on canvas
Not on view
Alice Pike Barney, Self-Portrait Reflected in Mirror, 1896, oil on canvas, Smithsonian American Art Museum, Gift of Laura Dreyfus Barney and Natalie Clifford Barney in memory of their mother, Alice Pike Barney, 1966.111.15
Self-Portrait Reflected in Mirror
Date1896
oil on canvas
Not on view