Washington, D.C. Foreclosure Quilt

Kathryn Clark, Washington, D.C. Foreclosure Quilt, 2015, linen, cotton, and recycled thread, Smithsonian American Art Museum, Museum purchase through the Stephen D. Thurston Memorial Fund, 2015.40, © 2015, Kathryn Clark
Kathryn Clark, Washington, D.C. Foreclosure Quilt, 2015, linen, cotton, and recycled thread, 57 12 × 84 34 in. (146.1 × 215.3 cm), Smithsonian American Art Museum, Museum purchase through the Stephen D. Thurston Memorial Fund, 2015.40, © 2015, Kathryn Clark

Artwork Details

Title
Washington, D.C. Foreclosure Quilt
Date
2015
Location
Not on view
Dimensions
57 12 × 84 34 in. (146.1 × 215.3 cm)
Copyright
© 2015, Kathryn Clark
Credit Line
Museum purchase through the Stephen D. Thurston Memorial Fund
Mediums Description
linen, cotton, and recycled thread
Classifications
Subjects
  • Object — written matter — map
  • Cityscape — District of Columbia — Washington
Object Number
2015.40

Artwork Description

Clark began to make her Foreclosure Quilts in 2007 to document the effects of the economic recession on the American landscape. By 2015 the mortgage crisis had faded from the news despite the ongoing distress of many homeowners, and Clark crafted this piece to keep the tragedy in the public eye. She chose quilting for its humble, utilitarian value and domestic associations. Her quilts document actual foreclosures from neighborhoods across the country.

Connections: Contemporary Craft at the Renwick Gallery, 2019

Works by this artist (20 items)

Lawrence W. Ladd, Trained Dogs, ca. 1880, watercolor on paper, Smithsonian American Art Museum, Gift of Bates and Isabel Lowry, 1986.70.15
Trained Dogs
Dateca. 1880
watercolor on paper
Not on view
Lawrence W. Ladd, Clowns and Horses, ca. 1880, watercolor on paper, Smithsonian American Art Museum, Gift of Bates and Isabel Lowry, 1986.70.17
Clowns and Horses
Dateca. 1880
watercolor on paper
Not on view
Lawrence W. Ladd, The Good Samaritan, ca. 1880, watercolor on paper, Smithsonian American Art Museum, Gift of Bates and Isabel Lowry, 1986.70.4
The Good Samaritan
Dateca. 1880
watercolor on paper
Not on view
Lawrence W. Ladd, The Blue Grotto, ca. 1880, watercolor on paper, Smithsonian American Art Museum, Gift of Bates and Isabel Lowry, 1986.70.10
The Blue Grotto
Dateca. 1880
watercolor on paper
Not on view

Exhibitions

Media - 2016.11 - SAAM-2016.11_6 - 124929
Connections: Contemporary Craft at the Renwick Gallery
November 13, 2015March 6, 2022
Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

More Artworks from the Collection

Gertrude Beals Bourne, Haystacks--Autumn, ca. 1895, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of Philip W. Bourne, 1982.44.1
Haystacks – Autumn
Dateca. 1895
watercolor and pencil on paper
Not on view
Miner Kilbourne Kellogg, Turkish Girl of Constantinople, n.d., pencil, colored pencil and watercolor on paper, Smithsonian American Art Museum, Bequest of Martha F. Butler, 1991.56.153
Turkish Girl of Constantinople
Daten.d.
pencil, colored pencil and watercolor on paper
Not on view
Miner Kilbourne Kellogg, Plains of Carthage, 1854, pencil and watercolor on paper, Smithsonian American Art Museum, Bequest of Martha F. Butler, 1991.56.134B
Plains of Carthage
Date1854
pencil and watercolor on paper
Not on view
Cass Gilbert, Tower of the Cathedral of Utrecht, Holland, 1898, watercolor and pencil on paper mounted on paperboard, Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor, 1962.13.24
Tower of the Cathedral of Utrecht, Holland
Date1898
watercolor and pencil on paper mounted on paperboard
Not on view