America the Beautiful

Christine Sun Kim, America the Beautiful, 2020, charcoal on paper, overall: 58 14 × 58 14 in. (148 × 148 cm) frame: 60 34 × 60 34 in. (154.3 × 154.3 cm), Smithsonian American Art Museum, Museum purchase and purchase through the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center and through the Julia D. Strong Endowment, 2021.31.2, © 2020, Christine Sun Kim. Courtesy of the artist and François Ghebaly, Los Angeles

Artwork Details

Title
America the Beautiful
Date
2020
Location
Not on view
Dimensions
overall: 58 14 × 58 14 in. (148 × 148 cm) frame: 60 34 × 60 34 in. (154.3 × 154.3 cm)
Copyright
© 2020, Christine Sun Kim. Courtesy of the artist and François Ghebaly, Los Angeles
Credit Line
Museum purchase and purchase through the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center and through the Julia D. Strong Endowment
Mediums
Mediums Description
charcoal on paper
Subjects
  • Allegory — place — America
  • Object — written matter — sheet music
Object Number
2021.31.2

Artwork Description

In 2020, Kim was invited to be the American Sign Language (ASL) interpreter for that year's Super Bowl, performing these two patriotic songs alongside pop star Demi Lovato and gospel singer Yolanda Adams. Kim's monumental charcoal score drawings, made later that year, reflect her careful preparation. The graphic staff lines, clustered notes, and reordered, spatialized lyrics map her ASL translation, designed to match the singer's rhythmic and dynamic range with her own. The compositional arrangement and word choice also reveal Kim's continued engagement with this moment and material, conveying a perspective that is both critical and hopeful. This intentional historical positioning is further articulated in the written artist statement that she asks be shown with this work whenever possible.

Kim felt conflicted around the Super Bowl invitation. Intended as a gesture of patriotic support for disability visibility and intersectional solidarity, her appearance also pointed to gaps between promised and actual equity. These subsequent drawings, scaled to the human body, ask us all to consider our relationship to these songs, their histories and their promises.

Musical Thinking: New Video Art and Sonic Strategies, 2023

Works by this artist (50 items)

Reclining Nude
ink and watercolor on paper
Not on view
The General
lithograph on paper
Not on view
Ivoire
lithograph on paper
Not on view
Walt Kuhn, Historical Painting #368494912413, pen and ink and crayon on paper, Smithsonian American Art Museum, 1982.9
Historical Painting #368494912413
pen and ink and crayon on paper
Not on view

Exhibitions

Media - 2020.54.1 - SAAM-2020.54.1_2 - 139600
Musical Thinking: New Video Art and Sonic Strategies
June 23, 2023January 28, 2024
Musical Thinking explores the powerful resonances between recent video art and popular music.

More Artworks from the Collection

New York Cultural Center
Artist
Date1973
color lithograph
Not on view
Robert Motherwell, Saint Louis Symphony Orchestra, 1973, color lithograph poster, Smithsonian American Art Museum, Gift of Telamon Editions Limited, 1976.152.2
Saint Louis Symphony Orchestra
Date1973
color lithograph poster
Not on view
Romaine Brooks, Untitled (Caught by the Collar), ca. 1930, photomechanical reproduction on paper, Smithsonian American Art Museum, Gift of the artist, 1968.90.14
Untitled (Caught by the Collar)
Dateca. 1930
photomechanical reproduction on paper
Not on view