The Amphitheatre of Tusculum and Albano Mountains, Rome

Worthington Whittredge, The Amphitheatre of Tusculum and Albano Mountains, Rome, 1860, oil on canvas, Smithsonian American Art Museum, Museum purchase, 1980.25
Worthington Whittredge, The Amphitheatre of Tusculum and Albano Mountains, Rome, 1860, oil on canvas, 2440 in. (61.0101.6 cm.), Smithsonian American Art Museum, Museum purchase, 1980.25
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Artwork Details

Title
The Amphitheatre of Tusculum and Albano Mountains, Rome
Date
1860
Dimensions
2440 in. (61.0101.6 cm.)
Credit Line
Museum purchase
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Architecture Exterior — ruins
  • Architecture Exterior — classical — amphitheater
  • Landscape — mountain — Alban Hills
  • Landscape — Italy — Tusculum
  • Occupation — farm — shepherd
  • Animal — sheep
  • Figure group
Object Number
1980.25

Artwork Description

Worthington Whittredge was among many American artists who traveled to Europe in the nineteenth century. The ancient culture of Italy offered a poignant tale of faded glory that contrasted sharply with America's rise to economic and political power. Whittredge showed the ruins of the amphitheatre at Tusculum in the harsh light of day. Indolent shepherds nod off and goats graze where Rome's actors and playwrights once took their bows. A thatched hut and meager yard appear in the shadow of a cloud, signifying the poverty that struck American travelers as powerfully as the magnificent ruins.

The United States stood on the threshold of the Gilded Age, when public art and architecture would follow the model of ancient Rome and Greece. But Italy's most important contribution to America would be its people, who immigrated to the United States by the hundreds of thousands, contributing their labor and culture to the nation's coming-of-age.

Exhibition Label, Smithsonian American Art Museum, 2006

Works by this artist (5 items)

Worthington Whittredge, Seconnet Point, Rhode Island, ca. 1880, oil on canvas, Smithsonian American Art Museum, L.E. Katzenbach Fund, 1967.142.1
Seconnet Point, Rhode Island
Dateca. 1880
oil on canvas
Not on view
Worthington Whittredge, Noon in the Orchard, 1900, oil on canvas, Smithsonian American Art Museum, Gift of William T. Evans, 1909.7.74
Noon in the Orchard
Date1900
oil on canvas
Not on view
Worthington Whittredge, The Birches of the Catskills, ca. 1875, oil on canvas mounted on paperboard, Smithsonian American Art Museum, Gift of William Katzenbach, 1967.144
The Birches of the Catskills
Dateca. 1875
oil on canvas mounted on paperboard
Not on view

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Louis M. Eilshemius, Pale Blue Landscape, n.d., oil on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Emil J. Arnold, 1967.56.6
Pale Blue Landscape
Daten.d.
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Not on view
George Catlin, Round Island, a Warrior, 1831, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.265
Round Island, a Warrior
Date1831
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Not on view
George Catlin, Men-són-se-ah, Left Hand, a Warrior, 1830, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.255
Men-són-se-ah, Left Hand, a Warrior
Date1830
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Not on view