Clubbing

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      Martine Gutierrez, Clubbing, 2012, HD video, color, sound; 03:06 minutes, Smithsonian American Art Museum, Museum purchase, 2021.23.2, © 2012, Martine Gutierrez: Courtesy of the artist and RYAN LEE Gallery, New York.

      Artwork Details

      Title
      Clubbing
      Date
      2012
      Location
      Not on view
      Copyright
      © 2012, Martine Gutierrez: Courtesy of the artist and RYAN LEE Gallery, New York.
      Credit Line
      Museum purchase
      Mediums
      Mediums Description
      HD video, color, sound; 03:06 minutes
      Classifications
      Subjects
      • Architecture Interior — commercial — recreation
      • Recreation — dancing
      • Figure group
      Object Number
      2021.23.2

      Artwork Description

      In her own words, Gutierrez is "driven to question how identity is formed, expressed, valued, and weighed as a woman, as a transwoman, as a Latinx woman, as a woman of Indigenous descent, as a femme artist and maker." Through videos, photographs, performances, installations, and self-released albums and magazines, she incisively plays with stereotypes and their repeated commodification.
       
      Clubbing explores the coding and performance of gender binaries in a scene of multiple selves sharing an otherworldly space that blends fantasy and reality. Gutierrez claims total control of every aspect of her projects, including Clubbing, taking on all the roles in front of and behind the camera. From the painted-on eyes to the sixties' mod costumes to the addictive groove that gets these bodies moving, it all comes back to Gutierrez, alone in her studio, aiming to create a welcoming world for all.
       
      Though on first glance she appears to present heterosexual pairings, Gutierrez's layered drag performances open a kaleidoscope of queer possibility. Filmed through gauze, the hazy indefinability of the locale evokes the idea of queer nightclubs as utopian zones, havens from a dangerously divisive society, since utopia means "no place" in Greek. Celebrating the joys found there, Clubbing stands as an ode to the creativity and liberation of dance floors and their importance as places for self-discovery, interpersonal harmony, and nonconformist community building.

      Musical Thinking: New Video Art and Sonic Strategies, 2023

      Works by this artist (12 items)

      Oscar R. Castillo, Plaza de la Raza, 1970, printed 2012, inkjet print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.51.10, © 2012, Oscar R. Castillo
      Plaza de la Raza
      Date1970, printed 2012
      inkjet print
      Not on view
      Oscar R. Castillo, Mechicano Art Center Mural at Echo Park Lake, 1970s, printed 2012, inkjet print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.51.9, © 2012, Oscar R. Castillo
      Mechicano Art Center Mural at Echo Park Lake
      Date1970s, printed 2012
      inkjet print
      Not on view

      Related Books

      The cover of the publication Musical Thinking New Video Art & Sonic Strategies
      Musical Thinking: New Video Art and Sonic Strategies 
      Exploring the powerful resonances between recent video art and popular music, the exhibition Musical Thinking: New Video Art and Sonic Strategies features ten leading contemporary artists and the work.

      Exhibitions

      Media - 2020.54.1 - SAAM-2020.54.1_2 - 139600
      Musical Thinking: New Video Art and Sonic Strategies
      June 23, 2023January 28, 2024
      Musical Thinking explores the powerful resonances between recent video art and popular music.

      More Artworks from the Collection

      D. X. Ross, Tides of the Centuries, 1991`, agate, carved jade, silver, gold, and dentalia, Smithsonian American Art Museum, Gift of Kenneth R. Trapp in honor of Donald Freeman Mahan, 1996.66, © 1990, D.X. Ross
      Tides of the Centuries
      Date1991`
      agate, carved jade, silver, gold, and dentalia
      Not on view
      Frances Jenkins Pickens, Neckpiece, 1978, sterling silver, 10k gold, pearls, and garnets, Smithsonian American Art Museum, Gift of Anne Wall Thomas in honor of Frances and Alex Pickens, 1998.69
      Neckpiece
      Date1978
      sterling silver, 10k gold, pearls, and garnets
      Not on view
      Albert Paley, Pendant, 1973, gold, silver, copper, labradorite, moonstone, jade, glass, ivory, Smithsonian American Art Museum, Gift of the James Renwick Alliance and museum purchase through the Smithsonian Institution Collections Acquisition Program, 1991.135, © 1973, Albert Paley
      Pendant
      Date1973
      gold, silver, copper, labradorite, moonstone, jade, glass, ivory
      Not on view
      Stuart Golder, Another Box #2, 1977, sterling silver and 18k gold, Smithsonian American Art Museum, Gift of Paul and Carole Garrison, 2000.41.7A-B, © 1970-78, Stuart Golder
      Another Box #2
      Date1977
      sterling silver and 18k gold
      Not on view