Industrial Cottage

James Rosenquist, Industrial Cottage, 1977, oil on canvas, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2005.25A-E, © 1977, James Rosenquist
James Rosenquist, Industrial Cottage, 1977, oil on canvas, 80182 in. (203.2462.3 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2005.25A-E, © 1977, James Rosenquist

Artwork Details

Title
Industrial Cottage
Date
1977
Location
Not on view
Dimensions
80182 in. (203.2462.3 cm)
Copyright
© 1977, James Rosenquist
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
oil on canvas
Classifications
Subjects
  • Architecture — detail — window
  • Allegory — arts and sciences — industry
  • Architecture Exterior — domestic — cottage
  • Object — tool — drill
  • Object — foodstuff — meat
Object Number
2005.25A-E

Artwork Description

Industrial Cottage reflects the patchwork of neighborhoods and industrial parks along Florida's Gulf Coast where Rosenquist settled in 1976. The artist was working his way out of debt following a catastrophic car accident, and the title expresses his wry opinion of himself as a "cottage industry." Rosenquist divided the canvas into three zones, populating each with large forms that reflected his years as a billboard painter. In each zone, cold-hued machinery contrasts with softer forms and warmer colors. Rosenquist called the paintings from these years his "self-portraits," and the discordant images suggest that the professional pressures of earning a living—of "bringing home the bacon"—intruded on the comforts of home and his new relationship with the artist Susan Hall.

Exhibition Label, Smithsonian American Art Museum, 2006

Works by this artist (42 items)

William Christenberry, River House, 1980, wood, construction board, paperboard, metal, and dirt, Smithsonian American Art Museum, Gift of Benjamin P. Nicolette, 1994.92
River House
Date1980
wood, construction board, paperboard, metal, and dirt
On view
William Christenberry, 5¢, Demopolis, Alabama, 1978, chromogenic print, Smithsonian American Art Museum, Gift of Benjamin P. Nicolette, 2006.31.4
5¢, Demopolis, Alabama
Date1978
chromogenic print
Not on view
William Christenberry, Memory Form, 1998, monoprint, Smithsonian American Art Museum, Gift of Louis M. and Sally B. Kaplan, 2009.2.1
Memory Form
Date1998
monoprint
Not on view
William Christenberry, Church, Sprott, Alabama, 1971, printed 1981, dye transfer print, Smithsonian American Art Museum, Gift of the artist, 1984.26.1, © 1971, William Christenberry
Church, Sprott, Alabama
Date1971, printed 1981
dye transfer print
Not on view

More Artworks from the Collection

Bently
Dateca. 1975
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view