No Parking (Williamsburg, Brooklyn)

Frank Espada, No Parking (Williamsburg, Brooklyn), 1974, printed ca. 1995, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.22.10, © 1974, Frank Espada Photography
Frank Espada, No Parking (Williamsburg, Brooklyn), 1974, printed ca. 1995, inkjet print, sheet and image: 13 3⁄8 × 19 7⁄8 in. (34.0 × 50.5 cm), Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.22.10, © 1974, Frank Espada Photography

Artwork Details

Title
No Parking (Williamsburg, Brooklyn)
Artist
Date
1974, printed ca. 1995
Location
Not on view
Dimensions
sheet and image: 13 3⁄8 × 19 7⁄8 in. (34.0 × 50.5 cm)
Copyright
© 1974, Frank Espada Photography
Credit Line
Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Mediums Description
inkjet print
Classifications
Subjects
  • Architecture Exterior — ruins
  • Cityscape — street
  • Cityscape — New York — New York
Object Number
2015.22.10
Linked Open Data
https://edan.si.edu/saam/id/object/2015.22.10

Works by this artist (8 items)

View all artworks
John Marin, Brooklyn Bridge, 1911, etching on paper, Smithsonian American Art Museum, Museum purchase, 1982.55
Brooklyn Bridge
Artist
Date1911
etching on paper
Not on view
John Marin, Bridge over Canal, Amsterdam, 1906, etching on paper, Smithsonian American Art Museum, Museum purchase, 1982.53
Bridge over Canal, Amsterdam
Artist
Date1906
etching on paper
Not on view
John Marin, Taos Canyon, New Mexico, 1929, watercolor, Smithsonian American Art Museum, Gift of Dolores and John W. Beck, Winter Park, FL, 2012.58
Taos Canyon, New Mexico
Artist
Date1929
watercolor
Not on view
John Marin, Skyscrapers in Construction, No. 1, 1930, etching, Smithsonian American Art Museum, Museum purchase, 1967.104
Skyscrapers in Construction, No. 1
Artist
Date1930
etching
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017–August 5, 2017
Smithsonian American Art Museum
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

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Walter Quirt, Untitled, 1940-1942, oil, watercolor, ink wash and pen and ink on paper, Smithsonian American Art Museum, Gift of Edouard Roditi, 1984.82
Untitled
Artist
Date1940-1942
oil, watercolor, ink wash and pen and ink on paper
Not on view
Tony Mattei, Rain, Ketchikan, Alaska, 1937, watercolor, oil, and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1972.31
Rain, Ketchikan, Alaska
Artist
Date1937
watercolor, oil, and pencil on paper
Not on view
Ralph Rosenborg, Untitled, 1939, watercolor and oil on paperboard, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.77
Untitled
Artist
Date1939
watercolor and oil on paperboard
Not on view
Jacob Elshin, Scientists of Today (mural study, University Post Office, Seattle, Washington), ca. 1939, oil, watercolor and carbon paper transfer on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1980.133.20
Scientists of Today (mural study, University Post Office,…
Artist
Dateca. 1939
oil, watercolor and carbon paper transfer on paperboard
Not on view