Nowaykesugga

Thomas Mann, Nowaykesugga, 1993, silver, copper, brass, nickel, Plexiglas, and color photocopy, Smithsonian American Art Museum, Gift of Lloyd E. Herman, founding director and director emeritus of the Renwick Gallery (1971-1986), 1997.72.6
Thomas Mann, Nowaykesugga, 1993, silver, copper, brass, nickel, Plexiglas, and color photocopy, 5 18312 in. (13.07.61.3 cm.), Smithsonian American Art Museum, Gift of Lloyd E. Herman, founding director and director emeritus of the Renwick Gallery (19711986), 1997.72.6

Artwork Details

Title
Nowaykesugga
Artist
Date
1993
Location
Not on view
Dimensions
5 18312 in. (13.07.61.3 cm.)
Credit Line
Gift of Lloyd E. Herman, founding director and director emeritus of the Renwick Gallery (19711986)
Mediums Description
silver, copper, brass, nickel, Plexiglas, and color photocopy
Classifications
Subjects
  • Indian
  • Portrait male — NO-WAY-KE-SUG-GA — bust
  • Homage — Catlin, George
Object Number
1997.72.6

Artwork Description

Thomas Mann made these pieces for an exhibition about cowboys, but decided to focus on the Native Americans' point of view. The chiefs--- L'Tetan (see 1997.72.3), Nesouaquoit or "Bear in the Forks of a Tree" (see 1997.72.5), No-Tin or "Wind" (see1997.72.1), Nowaykesugga or "He Who Strikes Two at Once," Shauhaunapotinia or "Man Who Killed Three Sioux" (see 1997.72.4), and Tok'Acou or "He That Inflicts the First Wound" (see 1997.72.2)--- were members of a large delegation of Indians who came to Washington in the winter of 1821-1822 to see President Monroe. Thomas McKenney, the head of the United States Bureau of Indian Affairs from 1816 until 1830, commissioned artists James Otto Lewis and Charles Bird King to preserve the likenesses of the visitors. These portraits later were published in a portfolio of prints with a text written by James Hall. Mann found McKenney and Hall's History of the Indian Tribes of North America at a flea market and used images from the book for these pieces.

Works by this artist (6 items)

Robert Henri, Blind Spanish Singer, 1912, oil on canvas, Smithsonian American Art Museum, Gift of Mr. J.H. Smith, 1967.41
Blind Spanish Singer
Date1912
oil on canvas
On view
Henry Wolf, Robert Henri, Portrait of Mrs. Henri, 1908, wood engraving on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1973.130.240
Portrait of Mrs. Henri
Date1908
wood engraving on paper
Not on view
Robert Henri, Seated Woman, 1924, pencil on paper, Smithsonian American Art Museum, Museum purchase, 1966.61
Seated Woman
Date1924
pencil on paper
Not on view
Robert Henri, Cumulus Clouds, East River, 1901-1902, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Daniel Fraad in memory of her husband, 1992.91
Cumulus Clouds, East River
Date1901-1902
oil on canvas
Not on view

More Artworks from the Collection

Joseph Hardin, Untitled (figure at Table, View of Legs), ca. 1978, colored pencil on paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.111
Untitled (figure at Table, View of Legs)
Dateca. 1978
colored pencil on paper
Not on view
William Zorach, (Untitled--Child's Head), 1925, pencil on paper, Smithsonian American Art Museum, Gift from the collection of the Zorach children, 1976.145.8
(Untitled – Child’s Head)
Date1925
pencil on paper
Not on view
Michael Clark, Classic Series, 1970, pencil on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Daniel Fendrick, 1980.131.3
Classic Series
Date1970
pencil on paper
Not on view
Study for the Pushover
Date1981
pencil on paper
Not on view