Prairie du Chien, United States Garrison

George Catlin, Prairie du Chien, United States Garrison, 1835-1836, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.333
George Catlin, Prairie du Chien, United States Garrison, 1835-1836, oil on canvas, 19 1227 12 in. (49.570.0 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.333
Free to use

Artwork Details

Title
Prairie du Chien, United States Garrison
Date
1835-1836
Location
Not on view
Dimensions
19 1227 12 in. (49.570.0 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Landscape — river
  • Western
  • Architecture — military — fort
  • Landscape — Wisconsin — Prairie du Chien
Object Number
1985.66.333

Artwork Description

“Prairie du Chien has been one of the earliest and principal trading posts of the Fur Company, and they now have a large establishment at that place; but doing far less business than formerly, owing to the great mortality of the Indians in its vicinity, and the destruction of the game, which has almost entirely disappeared in these regions. The prairie is a beautiful elevation above the river, of several miles in length, and a mile or so in width, with a most picturesque range of grassy bluffs encompassing it in the rear. The Government has erected there a substantial Fort, in which are generally stationed three or four companies of men, for the purpose . . . of keeping the peace amongst the hostile tribes, and also of protecting the frontier inhabitants from the attacks of the excited savages.” George Catlin probably sketched this landscape in 1835 during his visit to Prairie du Chien in present-day Wisconsin. (Catlin, Letters and Notes, vol. 2, no. 52, 1841, reprint 1973; Truettner, The Natural Man Observed, 1979)

Works by this artist (4 items)

Sandra C. Fernández, La virgen de Quito apareció en Austin, 2011, screenprint on paper, Smithsonian American Art Museum, Gift of the Gilberto Cárdenas Latino Collection, 2012.40.2, © 2011, Sandra C. Fernández
La virgen de Quito apareció en Austin
Date2011
screenprint on paper
Not on view
Sandra C. Fernández, Mojándose II (Crossing), 2015, etching, relief, chine colle, thread drawings, blind embossing on paper, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2019.34.2, ©2014, Sandra C. Fernández
Mojándose II (Crossing)
Date2015
etching, relief, chine colle, thread drawings, blind embossing on paper
Not on view
Sandra C. Fernández, Mourning and Dreaming High: con mucha fé, 2014-2018, lithography, thread drawings, milagros, collage, pages of an 18th-century book, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2019.34.1A-S, ©2014, Sandra C. Fernández
Mourning and Dreaming High: con mucha fé
Date2014-2018
lithography, thread drawings, milagros, collage, pages of an 18th-century book
Not on view
Sandra C. Fernández, Cruzado (Settled In), 2015, etching, chine colle, thread drawings, blind embossing on paper, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2019.34.3, ©2014, Sandra C. Fernández
Cruzado (Settled In)
Date2015
etching, chine colle, thread drawings, blind embossing on paper
Not on view

More Artworks from the Collection

Hurricane Redux
Date2018
linocut assemblage mounted on Masonite panels
Not on view
Sol LeWitt, Color Bands, 2000, linocut on paper, Smithsonian American Art Museum, Museum purchase through the C.K. Williams Foundation, 2010.65.4, © 2000, The LeWitt Estate / Artists Rights Society (ARS), New York
Color Bands
Date2000
linocut on paper
Not on view