The Reverend Thomas Worcester

Hiram Powers, The Reverend Thomas Worcester, 1851, plaster, 24 3815 3411 18 in. (62.040.028.2 cm), Smithsonian American Art Museum, Museum purchase in memory of Ralph Cross Johnson, 1968.155.36
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Artwork Details

Title
The Reverend Thomas Worcester
Artist
Date
1851
Dimensions
24 3815 3411 18 in. (62.040.028.2 cm)
Credit Line
Museum purchase in memory of Ralph Cross Johnson
Mediums
Mediums Description
plaster
Classifications
Subjects
  • Occupation — religion — clergy
  • Study — sculpture model
  • Portrait male — Worcester, Thomas — bust
  • Portrait male — Worcester, Thomas — nude
Object Number
1968.155.36

Artwork Description

The Reverend Thomas Worcester was the first clergyman in Massachusetts to be ordained in the “New Church.” This church was founded on the theology of the philosopher and mystic Emanuel Swedenborg, who saw a strong relationship between nature and the spiritual world. Worcester met Hiram Powers in 1850 while touring Europe with his family. Powers had been a follower of Swedenborgianism since his early days in Cincinnati, and while visiting Florence, Worcester baptized Powers and his children as members of the church. The Powers home became a center of this faith for Americans in Florence, and Worcester donated a great deal of literature for the artist to distribute among his friends.

Works by this artist (70 items)

Cass Gilbert, Arches of Palace of Nero, 1933, watercolor and pencil on paper, Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor, 1962.13.67
Arches of Palace of Nero
Date1933
watercolor and pencil on paper
Not on view
Cass Gilbert, (Temple), 1927, watercolor and pencil on paper, Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor, 1962.13.58
(Temple)
Date1927
watercolor and pencil on paper
Not on view
Cass Gilbert, Porta San Paulo, Rome, 1880, watercolor and pencil on paper, Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor, 1962.13.22
Porta San Paulo, Rome
Date1880
watercolor and pencil on paper
Not on view

More Artworks from the Collection

William H. Johnson, Tunisian Street Scene with Figures, ca. 1932, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.38
Tunisian Street Scene with Figures
Dateca. 1932
watercolor and pencil on paper
Not on view
Edward Morton, Loggers, 1937, watercolor and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.150
Loggers
Date1937
watercolor and pencil on paper
Not on view
Terry Schoonhoven, Study for Morning Room Murals, U. S. Court of Appeals, Pasadena, California, 1984, watercolor, pen and ink, and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1987.13.1
Study for Morning Room Murals, U. S. Court of Appeals,…
Date1984
watercolor, pen and ink, and pencil on paper
Not on view
Stone Cutters (mural study, Rockport, Massachusetts Post…
Dateca. 1935-1943
watercolor, pencil and pen and ink on paperboard
Not on view