Study for Richmond Cycle

Richard Hunt, Study for Richmond Cycle, 1977, soldered, bolted, and burnished copper with wood edging, 1960 3424 34 in. (48.3154.362.9 cm.), Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.14, © 1977, Richard Hunt

Artwork Details

Title
Study for Richmond Cycle
Artist
Date
1977
Location
Not on view
Dimensions
1960 3424 34 in. (48.3154.362.9 cm.)
Copyright
© 1977, Richard Hunt
Credit Line
Transfer from the General Services Administration, Art-in-Architecture Program
Mediums
Mediums Description
soldered, bolted, and burnished copper with wood edging
Classifications
Subjects
  • Abstract
  • Study — sculpture model
  • General Services Administration — Art-in-Architecture Program
Object Number
1977.47.14

Artwork Description

Study for Richmond Cycle began life as a model for a huge plaza sculpture outside the Social Security Administration building in Richmond, California. Richmond Cycle is composed of two distinct parts that are separated spatially but united visually by virtue of shared materials and surface finish. The large biomorphic mass that seems to emerge from the ground and then arc back calls to mind a living form, an enormous tree that has fallen to the earth or a primordial animal taking its last breath. Together the elements evoke the cycle of life in which age and the weight of experience are paired with the lightness and promise of youth.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (21 items)

Richard Hunt, (Untitled), 1972, lithograph on paper, Smithsonian American Art Museum, Gift of Dr. Frederick P. Nause and Rebecca Nause, 1973.176.16
(Untitled)
Date1972
lithograph on paper
Not on view
Richard Hunt, (Untitled), 1972, lithograph on paper, Smithsonian American Art Museum, Gift of Dr. Frederick P. Nause and Rebecca Nause, 1973.176.21
(Untitled)
Date1972
lithograph on paper
Not on view
Richard Hunt, Untitled, 1972, lithograph on paper, Smithsonian American Art Museum, Gift of Dr. Frederick P. Nause and Rebecca Nause, 1973.176.19
Untitled
Date1972
lithograph on paper
Not on view
Richard Hunt, (Untitled), 1972, lithograph on paper, Smithsonian American Art Museum, Gift of Dr. Frederick P. Nause and Rebecca Nause, 1973.176.12
(Untitled)
Date1972
lithograph on paper
Not on view

Exhibitions

Media - 1979.159.44 - SAAM-1979.159.44_1 - 56988
Sculpture Down to Scale: Models for Public Art at Federal Buildings, 1974 – 1985
May 31, 2019November 22, 2020
Artists used preliminary models—or maquettes—to communicate their ideas.

More Artworks from the Collection

Saul Baizerman, Primavera, 1954-1955, hammered copper and steel on wood base, Smithsonian American Art Museum, Museum purchase, 1976.132
Primavera
Date1954-1955
hammered copper and steel on wood base
Not on view
Billy Martin, Pike Decoy, 20th century, carved, incised, painted, pyroengraved, and varnished wood; copper sheet; non-ferrous eye hook; and lead weight, Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.3
Pike Decoy
Artist
Attributed to Billy Martin
Date20th century
carved, incised, painted, pyroengraved, and varnished wood; copper sheet; non-ferrous eye hook; and lead weight
On view
Sargent Johnson, Mask, ca. 1930-1935, copper with gilding on walnut base, Smithsonian American Art Museum, Gift of International Business Machines Corporation, 1966.27.4
Mask
Dateca. 1930-1935
copper with gilding on walnut base
On view
Leslie J. Payne, New York Lady (Statue of Liberty), ca. 1970, painted tin, copper and wood with costume jewelry and reflector, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.74
New York Lady (Statue of Liberty)
Dateca. 1970
painted tin, copper and wood with costume jewelry and reflector
Not on view