Vase in Brown and White

Thomas Hoadley, Vase in Brown and White, 1981, colored porcelain, Smithsonian American Art Museum, Gift of Donna and John Donaldson in memory of Jean and John Michael on the occasion of the Fifteenth Anniversary of the James Renwick Alliance and the Twenty-fifth Anniversary of the Renwick Gallery, 1997.109.5
Thomas Hoadley, Vase in Brown and White, 1981, colored porcelain, 9 145 38 in. (23.513.7 cm) diam., Smithsonian American Art Museum, Gift of Donna and John Donaldson in memory of Jean and John Michael on the occasion of the Fifteenth Anniversary of the James Renwick Alliance and the Twenty-fifth Anniversary of the Renwick Gallery, 1997.109.5

Artwork Details

Title
Vase in Brown and White
Date
1981
Location
Not on view
Dimensions
9 145 38 in. (23.513.7 cm) diam.
Credit Line
Gift of Donna and John Donaldson in memory of Jean and John Michael on the occasion of the Fifteenth Anniversary of the James Renwick Alliance and the Twenty-fifth Anniversary of the Renwick Gallery
Mediums
Mediums Description
colored porcelain
Classifications
Object Number
1997.109.5

Artwork Description

Thomas Hoadley used the Japanese technique of nerikomi to create the delicate lines of color in this vessel. He stacked thousands of thin layers of colored clay to create a "loaf," then cut the loaf into thin slices and assembled the pieces to create the bowl's final form. Hoadley started using this labor-intensive technique in the early 1980s, and feels that it creates an "organic union of pattern and structure." His pieces from this period often comprise three colors, and exhibit spirals, stripes, or checkerboard compositions. In Vase in Brown and White, Hoadley created a pattern that evokes feathers or shells, whose organic form inspired many of Hoadley's later artworks.

Works by this artist (3 items)

Christine McHorse, Wolves Courting at Full Moon, 1988, fired micaceous clay with piñon pitch, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.161
Wolves Courting at Full Moon
Date1988
fired micaceous clay with piñon pitch
On view
Christine McHorse, Crow Pot, 1991, kiln-fired and pit-fired micaceous clay with pinon pitch, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Mrs. Gibson Fahnestock, 1997.124.159
Crow Pot
Date1991
kiln-fired and pit-fired micaceous clay with pinon pitch
On view
Christine McHorse, Lizard Pot, ca. 1990, pit-fired micaceous clay with piñon pitch, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.160
Lizard Pot
Dateca. 1990
pit-fired micaceous clay with piñon pitch
Not on view

More Artworks from the Collection

Rose Williams, Pot with Incised Decoration, ca. 1992, fired and incised clay with piñon pitch, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.183
Pot with Incised Decoration
Dateca. 1992
fired and incised clay with piñon pitch
On view
Rachel Sahmie, Pot with Six Painted Images, ca. 1990, fired clay with clay slip, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.173
Pot with Six Painted Images
Dateca. 1990
fired clay with clay slip
Not on view
Jean Sahme, Pot with Snake, ca. 1987, fired clay with clay slip, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.172
Pot with Snake
Dateca. 1987
fired clay with clay slip
Not on view
Jimmy Wilson, Pot with Incised Decoration, 1990, fired and incised clay with piñon pitch, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.185
Pot with Incised Decoration
Date1990
fired and incised clay with piñon pitch
On view