Deborah Butterfield was speaking to a full house at SAAM's McEvoy Auditorium as the second speaker in this year's Clarice Smith Distinguished Lecture Series. During the course of the evening, she led us through four decades of her work.

Joanna Marsh, Senior Curator of Contemporary Interpretation, fills us in on the theory behind Conversation Pieces, a discussion-based public program that takes place monthly in SAAM's galleries.

On November 4, Hand Grenade Job (HGJ) performs at our Fall Luce Unplugged Community Showcase in the Luce Foundation Center. We teamed up with Washington City Paper to present this experimental post-Americana duo from the D.C. DIY punk scene. With Beck Levy playing guitar and Erin McCarley on percussion, both women are vocalists and multi-instrumentalists.

The Smithsonian American Art Museum's ground floor galleries of Folk and Self-Taught Art reopen today with a compelling, new installation that features more than 120 objects, including 59 new acquisitions. These include works by artists such as Emery Blagdon, Ralph Fasanella, Clementine Hunter, Eddy Mumma, and Achilles Rizzoli. These join visitor favorites by Thornton Dial, Lonnie Holley, Martín Ramírez and Jon Serl.

During this election season, Americans have been debating what it means to be American. So, it's fitting to consider what is American about American art. In October 2012, Adam Gopnik, writer for The New Yorker, spoke about this as part of SAAM's Clarice Smith Lecture series.

Furniture "affects every single aspect of who we are and what we do though we don't always acknowledge that," said Nora Atkinson, the Lloyd Herman Curator of Craft at the Renwick Gallery, in her introductory remarks at the recent Maloof Symposium, Furniture and the Future. A stellar group of experts, designers, artists, and makers looked closely at the changing role of studio furniture, in light of the brave new world of digital technologies and marketplaces.

t's fall in Washington, D.C. The days are cooler, the nights cold, and the wind picks up and deposits leaves to the ground. This painting by Albert P. Lucas reminds me of the weeks that lie ahead for me.

We've launched "Renwick Gallery WONDER 360" as our first major experiment with producing immersive VR experiences. I hope you'll download it, and please let us know what you think by rating it in the app store!

Danke Shane's debut D.C. show premieres this Thursday, October 6, in the Luce Foundation Center as a part of Luce Unplugged, our free, monthly concert series. In partnership with D.C. Music Download, we highlight musical acts within the District that create unique and innovative sound. With a new album releasing this winter, we sat down with Andrew Burke from Danke Shane to learn more about the launch of his musical career.

On October 13, the Smithsonian American Art Museum will host "Art and the African American Experience," an evening for teachers presented in celebration of the opening of the National Museum of African American History and Culture. Led by educators at SAAM, Teaching for Change, and the Anacostia Community Museum, participants will explore ways of thoughtfully addressing race and the African American experience through art in their teaching. The event is free with registration, and includes teaching resources and a standing reception.

Joe Lucchesi, the consulting curator for SAAM's exhibition, The Art of Romaine Brooks, is Associate Professor of Art History and the Women, Gender, and Sexuality Studies Program Coordinator at St. Mary's College of Maryland. Joe gives us a look at the humor and wit of Romaine Brooks. He will be leading a tour of the show on Thursday, September 29 at 6 p.m. The Art of Romaine Brooks is on view until October 2, 2016.

To kick off the 2016 season of the Clarice Smith Distinguished Lectures in American Art, scholar Alice Cooney Frelinghuysen, Curator of American Decorative Arts at the Metropolitan Museum of Art, brought us into the close circle of Louis Comfort Tiffany's art glass studio.

Romaine Brooks was something of an interior decorator as well as an artist. She took a lively interest in the frame designs and finishes for her artworks. Several of the paintings in the exhibition The Art of Romaine Brooks are in frames that she personally designed or that were prepared under her direction.

Each month, the Luce Foundation Center partners with neighboring Flashpoint Gallery to bring local artists to speak about their own work and the inspiration they take from SAAM's collection. We'll kick off our fall Luce Artist Talk Series on Sunday, September 25, with Nicole Salimbene, a multimedia artist whose work explores themes of mindfulness and conflict between one's internal self and the physical world. She will discuss how she uses form to encourage contemplation and provoke dialogue.

Join us on Thursday, September 22nd from 5:30 to 8 p.m. at the Renwick Gallery for our early fall Handi-hour.

The Smithsonian American Art Museum boasts more than two thousand works of art in its collection by more than two-hundred African American artists. Covering centuries of creative expression, the artworks explore themes that reflect the African American experience in paintings, sculpture, prints, textiles and photographs.

Michael Hristakopoulos teaches high school social studies at a virtual school in Florida. This July, he participated in one of SAAM's summer teacher institutes, offered for English and social studies teachers interested in integrating American art into their curricula. This summer, 59 teachers from 22 states and Washington, D.C., participated in one of two week-long sessions. Michael fills us in on how he applied his experience here to his online teaching environment.

This year's Renwick Invitational features the work of four craft artists—Steven Young Lee, Kristen Morgin, Jennifer Trask and Norwood Viviano—who share a common interest in the exploration of materiality, as well as the processes of transformation, decay, and rebirth.