Lure of the West: Treasures from the Smithsonian American Art Museum

Thumbnail
Author
Amy Pastan
Co-Publisher
Copublished with Watson-Guptill Publications
Year Published
2000
Number of Pages
112 pp.: ill. (52 color)
ISBN Softcover
0-8230-0191-1
Dimensions
9 3/16 x 9 3/16 in.
Description

Lure of the West: Treasures from the Smithsonian American Art Museum commemorates Treasures to Go, a series of eight exhibitions from the Smithsonian American Art Museum, touring the nation through 2002. The Principal Financial Group is a proud partner in presenting these treasures to the American people.

In this book, choice paintings and sculptures illustrate changing attitudes toward the West—its landscape, peoples, and development—from the 1820s through the 1940s. Charles Bird King, George Catlin, and others documented Native American cultures, while Albert Bierstadt and Thomas Moran painted pristine wilderness. Later, members of the Taos Society of Artists presented the rich Hispanic cultures and rugged terrain of the Southwest.

 

Buy Online or write to PubOrd@si.edu. Softcover, $19.95

More Books

Christo and Jeanne-Claude: Remembering the Running Fence

The dynamic partnership of Christo and Jeanne-Claude spans more than four decades, and their enormous outdoor art installations are known the world over. From 1972 to 1976, Christo and Jeanne-Claude conceived, planned, and created the Running Fence, an eighteen-foot-high white nylon fence that stretched more than twenty-four miles across privately owned lands in Marin and Sonoma counties in northern California. Four years in the planning, the Fence was on view for just two weeks, but it remains a landmark event in contemporary art.

Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano

Publisher
The Smithsonian American Art Museum, Washington, DC, in association with Princeton University Press, Princeton and Oxford
Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano presents a broad exploration of American engagement with Venice’s art world in the late nineteenth century. During this time, Americans in Venice not only encountered a floating city of palaces, museums, and churches, but also countless shop windows filled with dazzling specimens of brightly colored glass. This lavishly illustrated book examines exquisitely crafted glass pieces alongside paintings, watercolors, and prints of the same era by American artists who found inspiration in Venice, including Frank Duveneck, Ellen Day Hale, Thomas Moran, Maria Oakey Dewing, Robert Frederick Blum, Charles Caryl Coleman, Louise Cox, Maurice Prendergast, and Maxfield Parrish, in addition to John Singer Sargent and James McNeill Whistler.

¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now

Publisher
Publisher: Smithsonian American Art Museum, Washington, DC, in association with Princeton University Press, Princeton and Oxford
Beginning in the 1960s, activist Chicano artists forged a remarkable history of printmaking that remains vital today. Many artists came of age during the civil rights, labor, anti-war, feminist and LGBTQ+ movements, and channeled the period’s social activism into assertive aesthetic statements that announced a new political and cultural consciousness among people of Mexican descent in the United States. The exhibition ¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now presents, for the first time, historical civil rights-era prints by Chicano artists alongside works by graphic artists working from the 1980s to today.

Arte Latino: Treasures from the Smithsonian American Art Museum

Arte Latino highlights more than 200 years of Latino art from the United States and Puerto Rico. Of the fifty artworks depicted in this book, the earliest are from Puerto Rico, which became a U.S. territory in 1898. Others reflect the heritage of the Hispanic Southwest, from eighteenth-century religious carvings to recent works. The Chicano movement of the 1960s inspired artists to address social and political issues. Many Cuban American artists and other immigrants express a divided identity, having left family and a past behind them.