Exhibitions

This focused exhibition pairs two projects by Carrie Mae Weems—a major multimedia installation and a series of photographs—that revisit moments from history.

The Smithsonian American Art Museum's galleries for modern and contemporary art display selections from the permanent collection from the 1940s to the present.

This focused exhibition pairs artwork by two Black artists working in the mid-nineteenth century—photographer J. P. Ball and painter Robert S. Duncanson.

The exhibition Composing Color: Paintings by Alma Thomas provides an intimate view of Alma Thomas’ evolving artistic practices during her most prolific period from 1959 to her death in 1978.

Ideas about the American West, both in popular culture and in commonly accepted historical narratives, are often based on a past that never was, and fail to take into account important events that actually occurred.

Musical Thinking explores the powerful resonances between recent video art and popular music.

Artists Joe Feddersen (Arrow Lakes/Okanagan), Lily Hope (Tlingit), Ursala Hudson (Tlingit), Erica Lord (Athabaskan/Iñupiat), Geo Neptune (Passamaquoddy), and Maggie Thompson (Fond du Lac Ojibwe) present a fresh and nuanced vision of Native American art.

SAAM’s branch location for contemporary craft, the Renwick Gallery, showcases the dynamic landscape of American craft today. Currently on view are more than 100 works in a range of mediums from fiber and ceramics to glass, metal, wood, and mixed media.

Artist to Artist features paired artworks, each representing two figures whose trajectories intersected at a creatively crucial moment, whether as student and teacher, professional allies, or friends.

Janet Echelman's colorful fiber and lighting installation, suspended from the ceiling of the Renwick Gallery's Grand Salon, examines the complex interconnections between human beings and our physical world, and reveals the artist's fascination with the me

SAAM’s collection of folk and self-taught art represents the powerful vision of America’s untrained and vernacular artists.

Look into America in the 1930s, a heady time when the country’s artists captured the beauty of the landscape, the industry of America’s working people, and a sense of community shared in towns large and small despite the Great Depression.