Experience America

Painting of a woman looking out of a window.

Edward Hopper, Cape Cod Morning, 1950, oil on canvas, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.92

The 1930s was a heady time for artists in America. Through President Franklin Roo​sevelt’s New Deal programs, the federal government paid them to paint and sculpt and urged them to look to the nation’s land and people for subjects. For the next decade — until World War II brought support to a halt — the coun​try’s artists captured the beauty of the landscape, the industry of Amer​i​ca’s working people, and a sense of community shared in towns large and small despite the Great Depression.

Description

Many of the paintings in Experience America were created in 1934 for a pilot program designed to put artists to work; others were produced under the auspices of the WPA (Works Progress Administration), which followed. The thousands of paintings, sculptures, and murals placed in schools, post offices, and other public buildings stand as a testimony to the resilience of Americans during one of the most difficult periods in U.S. history. This display is drawn entirely from the Smithsonian American Art Museum's collection. SAAM holds the largest collection of New Deal art in the world.

Visiting Information

1st floor South
Ongoing
Open Daily, 11:30 a.m.–7:00 p.m
Free Admission

Publications

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1934: A New Deal for Artists
During the Great Depression, president Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists. The Public Works of Art Project (PWAP) enlisted artists to capture “the American Scene” in works of art that would embellish public buildings across the country. Although it lasted less than one year, from December 1933 to June 1934, the PWAP provided employment for thousands of artists, giving them an important role in the country’s recovery. Their legacy, captured in more than fifteen thousand artworks, helped “the American Scene” become America seen.

Online Gallery

Millard Sheets, Tenement Flats, 1933-1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior, National Park Service, 1965.18.48
Tenement Flats
Date1933-1934
oil on canvas
On view
Ilya Bolotowsky, In the Barber Shop, 1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.79
In the Barber Shop
Date1934
oil on canvas
On view
Agnes Tait, Skating in Central Park, 1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.15
Skating in Central Park
Date1934
oil on canvas
On view
Morris Kantor, Baseball at Night, 1934, oil on linen, Smithsonian American Art Museum, Gift of Mrs. Morris Kantor, 1976.146.18
Baseball at Night
Date1934
oil on linen
On view
Gertrude Goodrich, Scenes of American Life (Beach), 1941-1947, dry pigment in beeswax emulsion on canvas, Smithsonian American Art Museum, Transfer from the General Services Administration, 1970.35.7
Scenes of American Life (Beach)
Date1941-1947
dry pigment in beeswax emulsion on canvas
On view
Maurice Prendergast, Summer, New England, 1912, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Charles Prendergast, 1976.124
Summer, New England
Date1912
oil on canvas
On view
Roberto Chavez, El Tamalito del Hoyo, 1959, oil on masonite, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2012.49.1, © 1959, Roberto Chavez
El Tamalito del Hoyo
Date1959
oil on masonite
On view
Hisako Hibi, Peace, 1948, oil on canvas, Smithsonian American Art Museum, Museum purchase through the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2023.6.2, © 2024, Ibuki Hibi Lee
Peace
Date1948
oil on canvas
On view
William H. Johnson, Li'L Sis, 1944, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1023
Li’L Sis
Date1944
oil on paperboard
On view
Edward Hopper, Cape Cod Morning, 1950, oil on canvas, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.92
Cape Cod Morning
Date1950
oil on canvas
On view