The Sky Pond

Paul Kauvar Smith, The Sky Pond, 1933-1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.59
Paul Kauvar Smith, The Sky Pond, 1933-1934, oil on canvas, 4250 18 in. (106.8127.4 cm.), Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.59

Artwork Details

Title
The Sky Pond
Date
1933-1934
Location
Not on view
Dimensions
4250 18 in. (106.8127.4 cm.)
Credit Line
Transfer from the U.S. Department of Labor
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Landscape — mountain
  • Landscape — lake
  • Landscape — weather — snow
  • Landscape — phenomenon — glacier
  • New Deal — Public Works of Art Project — Colorado
Object Number
1964.1.59

Artwork Description

This stunning Colorado view is one that hikers in Rocky Mountain National Park can see to this day. Artist Paul Kauvar Smith portrayed the brown rocks of the central mountain, Taylor Peak, as red as if they were illuminated by a sunset. However, the sky seen above the mountain and reflected in Sky Pond is the brilliant blue of midday. The snows of Taylor Glacier glow blue-white between the rugged boulders, showing how cold it is in the high Rockies even when the slopes are clad in summer greenery. Smith's sun-drenched colors and grand mountain scenery evoked a wild paradise all too distant for those caught in the gritty urban poverty of Depression-era America.

Smith probably encountered the Civilian Conservation Corps, a work relief program for young men, as he explored the Colorado Rockies in search of picturesque landscapes. By spring 1933 the CCC was at work in Rocky Mountain National Park, building the trails and roads that visitors would travel to experience remote wilderness spots like Taylor Peak and Sky Pond for themselves.

1934: A New Deal for Artists exhibition label

Works by this artist (483 items)

Paul Manship, Susanna (#1), 1948, marble, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.1
Susanna (#1)
Date1948
marble
On view
Paul Manship, Eve (#1), 1935, bronze, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.6
Eve (#1)
Date1935
bronze
On view
Paul Manship, Model of Flagpole Base, Alfred E. Smith Memorial, n.d., cast posthumously, bronze, Smithsonian American Art Museum, Museum purchase, 1971.15
Model of Flagpole Base, Alfred E. Smith Memorial
Daten.d., cast posthumously
bronze
On view
Paul Manship, Frog, 1952, bronze on lapis lazuli base, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.31
Frog
Date1952
bronze on lapis lazuli base
On view

Related Books

1934_500.jpg
1934: A New Deal for Artists
During the Great Depression, president Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists. The Public Works of Art Project (PWAP) enlisted artists to capture “the American Scene” in works of art that would embellish public buildings across the country. Although it lasted less than one year, from December 1933 to June 1934, the PWAP provided employment for thousands of artists, giving them an important role in the country’s recovery. Their legacy, captured in more than fifteen thousand artworks, helped “the American Scene” become America seen.

More Artworks from the Collection

Paul Manship, Study for Wings for Victory, 1941, bronze on marble base, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.19
Study for Wings for Victory
Date1941
bronze on marble base
Not on view
Bessie Potter Vonnoh, In Arcadia, ca. 1926, bronze on marble base, Smithsonian American Art Museum, Museum purchase, 1994.8
In Arcadia
Dateca. 1926
bronze on marble base
On view
Paul Manship, Susanna (#2), 1946, bronze/gilded on stone: marble base, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.82
Susanna (#2)
Date1946
bronze/gilded on stone: marble base
Not on view
Paul Manship, Standing Orpheus with Pegasus, ca. 1932, gilded bronze on marble base, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.78
Standing Orpheus with Pegasus
Dateca. 1932
gilded bronze on marble base
On view