Empress of the Blues

Romare Bearden, Empress of the Blues, 1974, acrylic and pencil on paper and printed paper on paperboard, Smithsonian American Art Museum, Museum purchase in part through the Luisita L. and Franz H. Denghausen Endowment, 1996.71
Romare Bearden, Empress of the Blues, 1974, acrylic and pencil on paper and printed paper on paperboard, 3648 in. (91.4121.9 cm.), Smithsonian American Art Museum, Museum purchase in part through the Luisita L. and Franz H. Denghausen Endowment, 1996.71

Artwork Details

Title
Empress of the Blues
Date
1974
Location
Not on view
Dimensions
3648 in. (91.4121.9 cm.)
Credit Line
Museum purchase in part through the Luisita L. and Franz H. Denghausen Endowment
Mediums
Mediums Description
acrylic and pencil on paper and printed paper on paperboard
Subjects
  • Figure group
  • African American
  • Performing arts — music — voice
  • Performing arts — music — band
Object Number
1996.71

Artwork Description

African American Art is a rich part of the Smithsonian American Art Museum's collection, which is the largest and one of the finest in the United States. The museum began acquiring work by African American artists in the 1960s, some in depth — such as Henry Ossawa Tanner, William H. Johnson, and Alma Thomas. Many of the social, political, and cultural movements that came to define the twentieth century in America and captured the imagination of artists — such as the Jazz Age, the Harlem Renaissance, and the civil rights movement — were rooted in African American communities.

Smithsonian American Art Museum: Commemorative Guide. Nashville, TN: Beckon Books, 2015.

Works by this artist (18 items)

Romare Bearden, Spring Way, 1964, collage on paperboard, Smithsonian American Art Museum, Bequest of Henry Ward Ranger through the National Academy of Design, 1999.9
Spring Way
Date1964
collage on paperboard
Not on view
Village Square
Date1969
collage on paperboard
Not on view
Romare Bearden, Louisiana Serenade, from the Jazz Series, 1979, color lithograph on paper, Smithsonian American Art Museum, Gift of Eugene I. Schuster, 1993.79.3, © 1979, Estate of Romare Bearden
Louisiana Serenade, from the Jazz Series
Date1979
color lithograph on paper
Not on view

More Artworks from the Collection

Peter "Charlie" Attie Besharo, Lady Liberty of 1953 to 1962?, ca. 1960, acrylic and metallic paint, varnish, and pencil on paperboard, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.100
Lady Liberty of 1953 to 1962?
Dateca. 1960
acrylic and metallic paint, varnish, and pencil on paperboard
Not on view
Robert Mangold, Correlation, installation model for Two White Line Diagonals and Two Arcs with a Sixteen Foot Radius, 1978, acrylic on fiberboard on canvas and acrylic and pencil on canvas, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1979.159.29
Correlation, installation model for Two White Line…
Date1978
acrylic on fiberboard on canvas and acrylic and pencil on canvas
Not on view
Norma Minkowitz, Shelter Structure, 1985, cotton, acrylic paint, pencil, and shellac, Smithsonian American Art Museum, Gift of Theodore Cohen in memory of his mother and her sisters: Rose Melmon Cohen, Blanche Melmon, Mary Melmon Greenberg and Fanny Melmon Liberman, 1998.122.16
Shelter Structure
Date1985
cotton, acrylic paint, pencil, and shellac
Not on view
Sister Gertrude Morgan, Come in my Room, come on in the Prayer Room, ca. 1970, tempera, acrylic, ballpoint pen, and pencil on paperboard, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr., and museum purchase made possible by Ralph Cross Johnson, 1986.65.186
Come in my Room, come on in the Prayer Room
Dateca. 1970
tempera, acrylic, ballpoint pen, and pencil on paperboard
Not on view