Nuestra Señora La Reina Del Cielo (Our Lady Queen of Heaven)

Horacio Valdez, Nuestra Señora La Reina Del Cielo (Our Lady Queen of Heaven), 1991, carved and painted wood with metal and silver crown, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.90
Horacio Valdez, Nuestra Señora La Reina Del Cielo (Our Lady Queen of Heaven), 1991, carved and painted wood with metal and silver crown, 31 149 127 12 in. (79.424.119.1 cm.), Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.90

Artwork Details

Title
Nuestra Señora La Reina Del Cielo (Our Lady Queen of Heaven)
Date
1991
Dimensions
31 149 127 12 in. (79.424.119.1 cm.)
Credit Line
Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
carved and painted wood with metal and silver crown
Classifications
Subjects
  • Religion — New Testament — Mary
  • Occupation — other — aristocrat
Object Number
1997.124.90

Artwork Description

Horacio Valdez was one of the first contemporary santeros (carvers of wooden saints) to paint his figures using commercial paints. In this piece the crescent moon on the bottom of the Virgin Mary’s skirt evokes the biblical passage in which a woman appears in heaven at the end of the world, “clothed with the sun, with the moon under her feet, and a crown of twelve stars on her head” (Revelation 12:1). The feather represents an eagle wing, which was given to the woman so that she could fly away to escape the devil.

Works by this artist (12 items)

Gustaf Oscar Dalström, Horseless Carriage (mural study, St. Joseph, Missouri Post Office and Courthouse), 1941, tempera, pencil and crayon on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.93
Horseless Carriage (mural study, St. Joseph, Missouri Post…
Date1941
tempera, pencil and crayon on paperboard
Not on view
Gustaf Oscar Dalström, Railroad Station 1880 (mural study, St. Joseph, Missouri Post Office and Courthouse), 1941, tempera, pencil and crayon on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.90
Railroad Station 1880 (mural study, St. Joseph, Missouri…
Date1941
tempera, pencil and crayon on paperboard
Not on view
Gustaf Oscar Dalström, Night, Chicago World's Fair, 1933, etching on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.529
Night, Chicago World’s Fair
Date1933
etching on paper
Not on view
Gustaf Oscar Dalström, Cloudy Day, 1933, etching on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.69
Cloudy Day
Date1933
etching on paper
Not on view

More Artworks from the Collection

Chaim Gross, Untitled (female nude), 1976, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Renee and Chaim Gross Foundation, 1990.45.26
Untitled (female nude)
Date1976
watercolor and pencil on paper
Not on view
Study for Portal Gates for the Renwick Gallery
Date1972
pencil and watercolor on paperboard
Not on view
Chaim Gross, Untitled (reclining nude grasping ankle), 1975, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Renee and Chaim Gross Foundation, 1990.45.27
Untitled (reclining nude grasping ankle)
Date1975
watercolor and pencil on paper
Not on view
Chaim Gross, In the Looking Glass, 1976, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Renee and Chaim Gross Foundation, 1990.45.23
In the Looking Glass
Date1976
watercolor and pencil on paper
Not on view