Public Transit Areas, 4th St. and Bonito Ave., Looking North, from the Long Beach Documentary Survey Project

Anthony Hernandez, Public Transit Areas, 4th St. and Bonito Ave., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.679, © 1980, Anthony Hernandez
Anthony Hernandez, Public Transit Areas, 4th St. and Bonito Ave., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, image: 12 1218 14 in. (31.746.4 cm) sheet: 1620 in. (40.650.8 cm), Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.679, © 1980, Anthony Hernandez

Artwork Details

Title
Public Transit Areas, 4th St. and Bonito Ave., Looking North, from the Long Beach Documentary Survey Project
Date
1980
Location
Not on view
Dimensions
image: 12 1218 14 in. (31.746.4 cm) sheet: 1620 in. (40.650.8 cm)
Copyright
© 1980, Anthony Hernandez
Credit Line
Transfer from the National Endowment for the Arts
Mediums Description
gelatin silver print
Classifications
Subjects
  • Cityscape — street — 4th Street
  • Cityscape — street — Bonito Avenue
  • Cityscape — California — Long Beach
  • State of being — other — waiting
  • Object — other — sign
  • Architecture Exterior — commercial — store
  • Figure group
Object Number
1983.63.679

Works by this artist (2 items)

Andrea Way, Bones, 1987, ink on paper, Smithsonian American Art Museum, Gift of Tom and Judy Brody, 2009.38.3, © 1987, Andrea Way
Bones
Date1987
ink on paper
Not on view
Andrea Way, Cicada, 1992, screenprint, Smithsonian American Art Museum, Museum purchase made possible by Barry and Beverly Pierce, 1992.68, © 1992, Andrea Way
Cicada
Date1992
screenprint
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

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Welmon Sharlhorne, Untitled (Building with Recessed Entrance and Black Foreground), ca. 1992, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.135
Untitled (Building with Recessed Entrance and Black…
Dateca. 1992
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Andrea Way, Bones, 1987, ink on paper, Smithsonian American Art Museum, Gift of Tom and Judy Brody, 2009.38.3, © 1987, Andrea Way
Bones
Date1987
ink on paper
Not on view
William H. Johnson, Bearded Man, ca. 1935, pen and ink on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.378
Bearded Man
Dateca. 1935
pen and ink on paper
Not on view
Welmon Sharlhorne, Bus, ca. 1992, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.134
Bus
Dateca. 1992
ink on manila envelope
Not on view