Azalées Blanches (White Azaleas)

Romaine Brooks, Azalées Blanches (White Azaleas), 1910, oil on canvas, Smithsonian American Art Museum, Gift of the artist, 1966.49.5
Romaine Brooks, Azalées Blanches (White Azaleas), 1910, oil on canvas, 59 12107 in. (151.1271.7 cm), Smithsonian American Art Museum, Gift of the artist, 1966.49.5

Artwork Details

Title
Azalées Blanches (White Azaleas)
Date
1910
Location
Not on view
Dimensions
59 12107 in. (151.1271.7 cm)
Credit Line
Gift of the artist
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Object — flower — azalea
  • Figure female — nude
  • Architecture Interior — domestic — house
  • Figure female — full length
Object Number
1966.49.5

Artwork Description

Azalées Blanches was one of Brooks's first paintings of the female nude and the earliest in which she presented an openly erotic figure. The female nude was a ubiquitous subject for Brooks's male contemporaries, but in 1910 a female artist's depiction of the theme was relatively unusual. Brooks's inclusion of this frankly sexual work in her debut exhibition at Durand-Ruel Gallery in Paris was a provocative gesture. Referring to this moment in her unpublished memoir, Brooks wrote, "I grasped every occasion no matter how small, to assert my independence of views." Audience members also recognized Brooks's challenge; a reviewer compared it to Édouard Manet's iconic modern nude Olympia (1863).

The Art of Romaine Brooks, 2016

Works by this artist (8 items)

Beatrice S. Levy, Rain in the Hills, 1935, etching on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.605
Rain in the Hills
Date1935
etching on paper
Not on view
Beatrice S. Levy, The Derelict, 1914, color aquatint on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.187
The Derelict
Date1914
color aquatint on paper
Not on view
Beatrice S. Levy, Farm Near Lamont, 1940, etching on paper, Smithsonian American Art Museum, Gift of Michael J. Ettner, 2021.88.165
Farm Near Lamont
Date1940
etching on paper
Not on view
Beatrice S. Levy, Provincetown Houses, 1916, color aquatint on paper, Smithsonian American Art Museum, Gift of Michael J. Ettner, 2021.88.168
Provincetown Houses
Date1916
color aquatint on paper
Not on view

More Artworks from the Collection

Hurricane Redux
Date2018
linocut assemblage mounted on Masonite panels
Not on view
Sol LeWitt, Color Bands, 2000, linocut on paper, Smithsonian American Art Museum, Museum purchase through the C.K. Williams Foundation, 2010.65.4, © 2000, The LeWitt Estate / Artists Rights Society (ARS), New York
Color Bands
Date2000
linocut on paper
Not on view