Untitled

Alberto Valdés, Untitled, ca. 1965, mixed media on canvas, Smithsonian American Art Museum, Gift of David and Susan Valdés, 2013.46.2
Alberto Valdés, Untitled, ca. 1965, mixed media on canvas, 13 1213 12 in. (34.334.3 cm), Smithsonian American Art Museum, Gift of David and Susan Valdés, 2013.46.2

Artwork Details

Title
Untitled
Date
ca. 1965
Location
Not on view
Dimensions
13 1213 12 in. (34.334.3 cm)
Credit Line
Gift of David and Susan Valdés
Mediums
Mediums Description
mixed media on canvas
Classifications
Object Number
2013.46.2

Artwork Description

Description in Spanish

Los cuadros de Valdés de principios de los años sesenta muestran cómo fusionó sus intereses en el modernismo europeo, el arte indígena y el arte mexicano moderno. La paleta y las formas de Untitled (alrededor de 1960) se asemejan a las composiciones de la artista francesa Sonia Delaunay y los lienzos sutiles de tonos terrestres de los pintores mexicanos Rufino Tamayo y Ricardo Martínez. Untitled (alrededor de 1965) evoca las pinturas de Paul Klee donde aparecen dibujos lineales sobre campos de colores variados. El dibujo delicado que anima la obra de Valdés evoca los intrincados motivos de los relieves esculturales que se encuentran en las estructuras arquitectónicas mesoamericanas.

Nuestra América: la presencia latina en el arte estadounidense, 2013

Works by this artist (3 items)

Erik Demaine, Martin Demaine, Green Balance, 2011, Mi-Teintes watercolor paper, Smithsonian American Art Museum, Gift of the artists in honor of the fortieth anniversary of the Renwick Gallery, 2011.54.3, © 2011, Erik and Martin Demaine
Green Balance
Date2011
Mi-Teintes watercolor paper
Not on view
Erik Demaine, Martin Demaine, Natural Cycles, 2009, Zanders Elefantenhaut paper (elephant hide paper), Smithsonian American Art Museum, Gift of the artists in honor of the fortieth anniversary of the Renwick Gallery, 2011.54.1, © 2009, Erik and Martin Demaine
Natural Cycles
Date2009
Zanders Elefantenhaut paper (elephant hide paper)
Not on view
Erik Demaine, Martin Demaine, Hugging Circles, 2011, Zanders Elefantenhaut paper (elephant hide paper), Smithsonian American Art Museum, Gift of the artists in honor of the fortieth anniversary of the Renwick Gallery, 2011.54.2, © 2011, Erik and Martin Demaine
Hugging Circles
Date2011
Zanders Elefantenhaut paper (elephant hide paper)
Not on view

Related Books

OurAmerica_500.jpg
Our America: The Latino Presence in American Art
Our America: The Latino Presence in American Art explores how Latino artists shaped the artistic movements of their day and recalibrated key themes in American art and culture. This beautifully illustrated volume presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge. Our America includes works by artists who participated in all the various artistic styles and movements, including abstract expressionism; activist, conceptual, and performance art; and classic American genres such as landscape, portraiture, and scenes of everyday life. 

Exhibitions

Media - 2011.12 - SAAM-2011.12_1 - 77591
Our America: The Latino Presence in American Art
October 25, 2013March 2, 2014
Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge.

More Artworks from the Collection

Mark Matthews, Leopardus pardalis (Ocelot), 1998, hot glass and Graal technique, Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell, 1999.21.11, © 1999, Mark Matthews
Leopardus pardalis (Ocelot)
Date1998
hot glass and Graal technique
On view
Mark Matthews, Neofelis nebulosa (Clouded Leopard), 1998, hot glass and Graal technique, Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell, 1999.21.10, © 1999, Mark Matthews
Neofelis nebulosa (Clouded Leopard)
Date1998
hot glass and Graal technique
On view
Mark Matthews, Acinonyx jubatus (Cheetah), 1998, hot glass and Graal technique, Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell, 1999.21.9, © 1999, Mark Matthews
Acinonyx jubatus (Cheetah)
Date1998
hot glass and Graal technique
On view
Mark Matthews, Panthera onca (Jaguar), 1998, hot glass and Graal technique, Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell, 1999.21.7, © 1999, Mark Matthews
Panthera onca (Jaguar)
Date1998
hot glass and Graal technique
On view