Bull Dance, Mandan O‑kee-pa Ceremony

George Catlin, Bull Dance, Mandan O-kee-pa Ceremony, 1832, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.505
George Catlin, Bull Dance, Mandan O-kee-pa Ceremony, 1832, oil on canvas, 23 1428 in. (59.071.1 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.505
Free to use

Artwork Details

Title
Bull Dance, Mandan O‑kee-pa Ceremony
Date
1832
Location
Not on view
Dimensions
23 1428 in. (59.071.1 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Ceremony — Indian — O Kee Pa Ceremony
  • Architecture Exterior — domestic — hut
  • Figure group — male
  • Ceremony — dance — Bull Dance
  • Indian — Mandan
  • Western
Object Number
1985.66.505

Artwork Description

The centerpiece of the Mandan religious calendar was the annual enactment of the O-kee-pa, a four-day ceremony that included the painful initiation of the most promising young men of the tribe. Their ordeal began with a four-day fast, strictly supervised by a priest in the medicine lodge. George Catlin witnessed the ceremony on his travels of the Upper Missouri in 1832. While the young men were sequestered inside the medicine lodge, the entire community petitioned the Great Spirit for fertility and an abundant supply of bison in a series of activities outside. Each participant in the Bull Dance wore an entire buffalo skin, head, horns, hooves, and a tail included. They repeated the dance forty times over the course of of the O-kee-pa, imitating the movements of a buffalo. “During the first three days of this solemn conclave,” Catlin wrote, “there were many very curious forms and amusements enacted in the open area in the middle of the village, and in front of the medicine-lodge, by other members of the community, one of which formed a material part or link of these strange ceremonials . . . The bull-dance . . . is repeated four times during the first day . . . and sixteen times on the fourth day; and always around the curb, or ‘big canoe’ [the drumlike structure in the center of the open area] . . . This subject I have selected for my second picture, and the principal actors in it were eight men, with the entire skins of buffaloes thrown over their backs, with the horns and hoofs and tails remaining on; their bodies in a horizontal position, enabling them to imitate the actions of the buffalo, whilst they were looking out of its eyes as through a mask.” (Catlin, Letters and Notes, vol. 1, no. 22, 1841; reprint 1973)

Works by this artist (3 items)

John Wesley Jarvis, Mr. Nichol, 1809, watercolor on ivory, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 1942.2.1
Mr. Nichol
Date1809
watercolor on ivory
Not on view
John Wesley Jarvis, William McIntyre, early 19th century, watercolor, pen and ink and pencil on paper, Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.22
William McIntyre
Dateearly 19th century
watercolor, pen and ink and pencil on paper
Not on view
John Wesley Jarvis, Commodore Isaac Chauncey, ca. 1814, oil on panel, Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.23
Commodore Isaac Chauncey
Dateca. 1814
oil on panel
Not on view

More Artworks from the Collection

Joseph Hardin, Untitled (figure at Table, View of Legs), ca. 1978, colored pencil on paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.111
Untitled (figure at Table, View of Legs)
Dateca. 1978
colored pencil on paper
Not on view
William Zorach, (Untitled--Child's Head), 1925, pencil on paper, Smithsonian American Art Museum, Gift from the collection of the Zorach children, 1976.145.8
(Untitled – Child’s Head)
Date1925
pencil on paper
Not on view
Michael Clark, Classic Series, 1970, pencil on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Daniel Fendrick, 1980.131.3
Classic Series
Date1970
pencil on paper
Not on view
Study for the Pushover
Date1981
pencil on paper
Not on view