65 East 125th Street, Harlem

Camilo José Vergara, 65 East 125th Street, Harlem, 2001, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.44.17, © 2001, Camilo José Vergara
Camilo José Vergara, 65 East 125th Street, Harlem, 2001, inkjet print, image: 11 12 × 17 38 in. (29.2 × 44.1 cm) sheet: 15 34 × 19 34 in. (40.0 × 50.2 cm), Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.44.17, © 2001, Camilo José Vergara

Artwork Details

Title
65 East 125th Street, Harlem
Date
2001
Location
Not on view
Dimensions
image: 11 12 × 17 38 in. (29.2 × 44.1 cm) sheet: 15 34 × 19 34 in. (40.0 × 50.2 cm)
Copyright
© 2001, Camilo José Vergara
Credit Line
Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Mediums Description
inkjet print
Classifications
Subjects
  • Figure group
  • Cityscape — New York — New York
  • Architecture Exterior — commercial — store
Object Number
2015.44.17

Works by this artist (13 items)

John James Audubon, Joseph Bartholomew Kidd, Rose-Breasted Grosbeak, n.d., oil on canvas, Smithsonian American Art Museum, Transfer from the U. S. National Museum, 1953.3.4
Rose-Breasted Grosbeak
Daten.d.
oil on canvas
On view
John James Audubon, Washington Sea Eagle, ca. 1836-1839, oil on canvas, Smithsonian American Art Museum, Gift of Dr. S. Dillon Ripley II and Mary Livingston Ripley, 1994.121
Washington Sea Eagle
Dateca. 1836-1839
oil on canvas
On view
Norwegian Rats
Date1845
hand-colored lithograph on paper
Not on view
John James Audubon, Cardinal Grosbeak, 1811, chalk, pencil, watercolor and ink on paper, Smithsonian American Art Museum, Transfer from the U. S. National Museum, 1953.3.1
Cardinal Grosbeak
Date1811
chalk, pencil, watercolor and ink on paper
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

William Holbrook Beard, The Runaway Match, 1877, oil on canvas, Smithsonian American Art Museum, Museum purchase, 1977.55
The Runaway Match
Date1877
oil on canvas
Not on view
John Henry Twachtman, Figure in Sunlight (Artist's Wife), ca. 1890-1900, oil on canvas, Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.137
Figure in Sunlight (Artist’s Wife)
Dateca. 1890-1900
oil on canvas
On view
Unidentified (Italian), Saint, 19th century, oil on canvas, Smithsonian American Art Museum, Gift of Laura Dreyfus Barney and Natalie Clifford Barney in memory of their mother, Alice Pike Barney, 1952.13.157
Saint
Artist
Unidentified (Italian)
Date19th century
oil on canvas
Not on view