Gold-fringed walls and piñata corncobs transform the Grand Salon of SAAM's Renwick Gallery and highlight the role of maize in North American visual culture.
Ruth Duckworth, Modernist Sculptor is a comprehensive retrospective that positions Duckworth within the modernist movement and provides an overdue assessment of her contributions to the contemporary art world.
"American ABC" demonstrates how portrayals of the nation's youngest citizens took on an important symbolic role in the United States’ long journey toward maturity and provides a window into the everyday life of the period—the world of families, children's
William Wegman (b. 1943) is beloved by the public and held in critical esteem by the international art world for his smart, gently subversive humor that parodies all things familiar.
The Smithsonian American Art Museum holds the largest and most complete collection of work by the African American modernist William H. Johnson (1901–1970) and has done much in the past 30 years to preserve his art and establish his reputation.
This exhibition honors the completion of the building's glorious renovation and marks the 170th anniversary of President Andrew Jackson signing legislation that authorized the building's construction.
"Grant Wood's Studio: Birthplace of 'American Gothic'" presents his decorative art and design work within the larger context of his paintings, drawings and prints for the first time.
George Catlin's Indian Gallery is hung in the Grand Salon on the second floor of the Renwick Gallery in a way that recalls the Indian Gallery as Catlin displayed it during his tours in Europe.
"Modernism in American Silver: 20th-Century Design" highlights more than 200 outstanding works, from art moderne to contemporary, by the foremost designers of production silver.
High Fiber illustrates the diversity of contemporary art created with fiber and presents many of the important milestones of the American fiber art movement, from the mid 20th century when artists began to explore fibers fully as an expressive medium to t
From elegant and streamlined to bright and bold, the designs in "Right at Home: American Studio Furniture" highlight the originality, craftsmanship and personalities of studio furniture artists.
Several hundred of the museum's greatest treasures by artists such as John Singer Sargent, Winslow Homer and Childe Hassam are on view in the Grand Salon at its Renwick Gallery while renovations continue at the museum’s historic main building.
This retrospective gathers 40 years of jewelry and sculpture by Robert Ebendorf, a major American artist in metal. Surveying 95 pieces, this exhibition chronicles significant shifts in jewelry during the last half of the 20th century.
George Catlin and His Indian Gallery celebrates a crown jewel in the Smithsonian American Art Museum's collection—the nearly complete surviving set of Catlin's first Indian Gallery painted in the 1830s.
Gold-fringed walls and piñata corncobs transform the Grand Salon of SAAM's Renwick Gallery and highlight the role of maize in North American visual culture.