Gold-fringed walls and piñata corncobs transform the Grand Salon of SAAM's Renwick Gallery and highlight the role of maize in North American visual culture.
Thomas Day: Master Craftsman and Free Man of Color fully examines the extraordinary career of Thomas Day (1801–about 1861), who owned and operated one of North Carolina’s most successful cabinet shops before the Civil War.
Pictures in the Parlor examines decorative images from the mid-nineteenth century through the early twentieth century that were used in domestic interiors to convey the values, aspirations, and achievements of their owners.
The artwork and ideas of the Korean-born artist Nam June Paik were a major influence on late twentieth-century art and continue to inspire a new generation of artists.
40 under 40: Craft Futures features forty artists born since 1972, the year the Smithsonian American Art Museum’s contemporary craft and decorative arts program was established at its branch museum, the Renwick Gallery.
Abstract Drawings presents a selection of forty-six works on paper from the Smithsonian American Art Museum’s permanent collection that are rarely on public display.
African American Art: Harlem Renaissance, Civil Rights Era, and Beyond presents a selection of paintings, sculpture, prints, and photographs by forty-three black artists
The Art of Video Games is one of the first exhibitions to explore the forty-year evolution of video games as an artistic medium, with a focus on striking visual effects and the creative use of new technologies.
Multiplicity features 83 works from the museum’s permanent collection by such outstanding contemporary artists as John Baldessari, John Cage, Vija Celmins, Chuck Close, R.
The exhibition Inventing a Better Mousetrap features thirty-two models illustrating the wide variety of nineteenth-century patented inventions submitted by inventors from across the United States.
This 2011 exhibition allowed visitors to explore the history of the decorative arts in the nation's foremost home. It included 95 objects from the permanent collection of the White House.
Made in Chicago: The Koffler Collection features twenty-five paintings, sculpture, and works on paper from 1960 to 1980, including works by Roger Brown, Leon Golub, Theodore Halkin, Vera Klement, Ellen Lanyon, Jim Nutt, Ed Paschke, Barry Tinsley, and Ray
The exhibition The Great American Hall of Wonders examines the nineteenth-century American belief that the people of the United States shared a special genius for innovation.
History in the Making: Renwick Craft Invitational 2011 presents the work of silversmith Ubaldo Vitali, ceramic artist Cliff Lee, glass artist Judith Schaechter, and furnituremaker Matthias Pliessnig.
During the turbulent 1940s, artist George Ault (1891-1948) created precise yet eerie pictures—works of art that have come to be seen, following his death, as some of the most original paintings made in America in those years.
A Revolution in Wood: The Bresler Collection celebrates the magnificent gift of sixty-six pieces of turned and carved wood to the Smithsonian American Art Museum by the noted collectors, Fleur and Charles Bresler.
The installation of John Gossage: The Pond celebrates the recent gift to the museum of this remarkable photographic series and the re-issue of one of the most influential photography books of the past three decades. John Gossage (b.
Telling Stories is the first major exhibition to explore in-depth the connections between Norman Rockwell's iconic images of American life and the movies.
Timothy H. O'Sullivan (1840–1882) was a photographer for two of the most ambitious geographical surveys of the nineteenth century. He traversed the mountain and desert regions of the western United States under the command of Clarence King and Lt.
Graphic Masters III: Highlights from the Smithsonian American Art Museum, the third in a series of special installations, celebrates the extraordinary variety and accomplishment of American artists' works on paper.
Enter the world of artist William T. Wiley, who has created a distinctive body of work during a 50-year career that addresses critical issues of our time.
Staged Stories: Renwick Craft Invitational 2009 presents the work of ceramic artist Christyl Boger, fiber artist Mark Newport, glass artist Mary Van Cline, and ceramic artist SunKoo Yuh.
Gold-fringed walls and piñata corncobs transform the Grand Salon of SAAM's Renwick Gallery and highlight the role of maize in North American visual culture.