Past Exhibitions

Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge.

A Measure of the Earth: The Cole-Ware Collection of American Baskets explores the revival of traditional basketry in America during the past fifty years through works by sixty-three contemporary basketmakers.

Wayne Higby (b. 1943) is one of the most innovative second generation artists to come out of the post-World War II American ceramic studio movement.

The American landscape has inspired generations of artists, but the 48 photographs in this presentation— by Steve Fitch, Robbert Flick and Elaine Mayes— are a far cry from traditional representations of the subject.

A Democracy of Images: Photographs from the Smithsonian American Art Museum celebrates the numerous ways in which photography, from early daguerreotypes to contemporary digital works, has captured the American experience.

Watch This! New Directions in the Art of the Moving Image is a series of rotating exhibitions drawn from SAAM’s permanent collection.

Thomas Day: Master Craftsman and Free Man of Color fully examines the extraordinary career of Thomas Day (1801–about 1861), who owned and operated one of North Carolina’s most successful cabinet shops before the Civil War.

Pictures in the Parlor examines decorative images from the mid-nineteenth century through the early twentieth century that were used in domestic interiors to convey the values, aspirations, and achievements of their owners.

The artwork and ideas of the Korean-born artist Nam June Paik were a major influence on late twentieth-century art and continue to inspire a new generation of artists.

The Civil War and American Art examines how America’s artists represented the impact of the Civil War and its aftermath.

40 under 40: Craft Futures features forty artists born since 1972, the year the Smithsonian American Art Museum’s contemporary craft and decorative arts program was established at its branch museum, the Renwick Gallery.

Abstract Drawings presents a selection of forty-six works on paper from the Smithsonian American Art Museum’s permanent collection that are rarely on public display.

African American Art: Harlem Renaissance, Civil Rights Era, and Beyond presents a selection of paintings, sculpture, prints, and photographs by forty-three black artists

The Art of Video Games is one of the first exhibitions to explore the forty-year evolution of video games as an artistic medium, with a focus on striking visual effects and the creative use of new technologies.

Watch This! New Directions in the Art of the Moving Image is a series of rotating exhibitions drawn from SAAM’s permanent collection.

Annie Leibovitz: Pilgrimage charts a new direction for one of America's best-known living photographers.

Multiplicity features 83 works from the museum’s permanent collection by such outstanding contemporary artists as John Baldessari, John Cage, Vija Celmins, Chuck Close, R.

The exhibition Inventing a Better Mousetrap features thirty-two models illustrating the wide variety of nineteenth-century patented inventions submitted by inventors from across the United States.

This 2011 exhibition allowed visitors to explore the history of the decorative arts in the nation's foremost home. It included 95 objects from the permanent collection of the White House.

Made in Chicago: The Koffler Collection features twenty-five paintings, sculpture, and works on paper from 1960 to 1980, including works by Roger Brown, Leon Golub, Theodore Halkin, Vera Klement, Ellen Lanyon, Jim Nutt, Ed Paschke, Barry Tinsley, and Ray

The exhibition The Great American Hall of Wonders examines the nineteenth-century American belief that the people of the United States shared a special genius for innovation.

History in the Making: Renwick Craft Invitational 2011 presents the work of silversmith Ubaldo Vitali, ceramic artist Cliff Lee, glass artist Judith Schaechter, and furnituremaker Matthias Pliessnig.

During the turbulent 1940s, artist George Ault (1891-1948) created precise yet eerie pictures—works of art that have come to be seen, following his death, as some of the most original paintings made in America in those years.

Close to Home presents photographs made during the past three decades by both established and emerging artists.

Watch This! New Directions in the Art of the Moving Image is a series of rotating exhibitions drawn from SAAM’s permanent collection.

Alexis Rockman (b. 1962) has been depicting the natural world with virtuosity and wit for more than two decades.

A Revolution in Wood: The Bresler Collection celebrates the magnificent gift of sixty-six pieces of turned and carved wood to the Smithsonian American Art Museum by the noted collectors, Fleur and Charles Bresler.

The installation of John Gossage: The Pond celebrates the recent gift to the museum of this remarkable photographic series and the re-issue of one of the most influential photography books of the past three decades. John Gossage (b.

Telling Stories is the first major exhibition to explore in-depth the connections between Norman Rockwell's iconic images of American life and the movies.

The exhibition presented the majority of individual items— more than 350 objects—from the collective archive of artworks and related materials.