Past Exhibitions

Romaine Brooks (1874–1970) lived most of her life in Paris where she was a leading figure of an artistic counterculture of upper-class Europeans and American expatriates, many of whom were creative, bohemian, and homosexual.

Martin Puryear (b. 1941) is widely celebrated for his elegant but playful sculptures and his devotion to craft. His drawings and prints are less well known, but they are equally essential to the artist’s studio practice.

In 1974, with a grant of $5,000 from the NEA, No Mountains in the Way was organized by Jim Enyeart, then curator of photography at the University of Kansas Museum of Art.

Watch This! New Directions in the Art of the Moving Image is a series of rotating exhibitions drawn from SAAM’s permanent collection.

Nine leading contemporary artists—Jennifer Angus, Chakaia Booker, Gabriel Dawe, Tara Donovan, Patrick Dougherty, Janet Echelman, John Grade, Maya Lin, and Leo Villareal—each took over different galleries in the building, creating site-specific installatio

Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

American artists in the twentieth century were deeply influenced by European modernism.

Irving Penn: Beyond Beauty, the first retrospective of Penn’s work in nearly twenty years, celebrates his legacy as a modern master and reveals the full expressive range of his work.

The paintings of Awa Tsireh (1898–1955), represent an encounter between the art traditions of native Pueblo peoples in the Southwestern United States and the American modernist art style begun in New York, which spread quickly across the country.

This one-gallery exhibition reveals the inner workings of the studio of Hiram Powers (1805–1873), who was among the most innovative sculptors of the nineteenth century, eagerly adapting long-standing sculpture traditions to new technologies of his age.

Watch This! Revelations in Media Art presents pioneering and contemporary artworks that trace the evolution of a continuously emerging medium.

Integrated within the chronological flow of the museum’s permanent collection, these masterworks from Gilded Age, Impressionist, and Ashcan School painters will help to tell the story of the late 19th century and early 20th centuries in America, a “coming

Kuniyoshi emigrated to America from Japan as a teenager, rising to prominence in the New York art world during the 1920s to become one of the most esteemed artists in America between the two world wars.

The Mingering Mike collection comprises artworks constructed as part of the artist’s youthful fantasy of becoming a famous soul singer and songwriter, including LP albums made from painted cardboard, original album art, song lyrics and liner notes, self-r

Spontaneous! Truthful! Liberating! Direct carvers often used such words to describe their unconventional method of sculpting, in which an artist works directly on a piece of stone or wood as opposed to with a model, cast, or preconceived design.

Birds have long been a source of mystery and awe. Today, a growing desire to meaningfully connect with the natural world has fostered a resurgence of popular interest in the winged creatures that surround us daily.

Richard Estes is considered the foremost practitioner of the international group of artists known loosely as photorealists and has been celebrated for more than forty-five years as the premier painter of American cityscapes.

In 2013 the Smithsonian American Art Museum acquired 54 pieces by James Castle (1899-1977). With this acquisition, the museum now holds one of the largest public collections of Castle’s work.

Ralph Fasanella (1914-1997) celebrated the common man and tackled complex issues of postwar America in colorful, socially-minded paintings.

In the 1950s and 1960s, pop art offered a stark contrast to abstract expressionism, then the dominant movement in American art.

Modern American Realism: The Sara Roby Foundation Collection presents some of the most treasured artworks from the Smithsonian American Art Museum’s permanent collection, including works by Will Barnet, Isabel Bishop, Paul Cadmus, Arthur Dove, Na

Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge.

A Measure of the Earth: The Cole-Ware Collection of American Baskets explores the revival of traditional basketry in America during the past fifty years through works by sixty-three contemporary basketmakers.

Wayne Higby (b. 1943) is one of the most innovative second generation artists to come out of the post-World War II American ceramic studio movement.

The American landscape has inspired generations of artists, but the 48 photographs in this presentation— by Steve Fitch, Robbert Flick and Elaine Mayes— are a far cry from traditional representations of the subject.

A Democracy of Images: Photographs from the Smithsonian American Art Museum celebrates the numerous ways in which photography, from early daguerreotypes to contemporary digital works, has captured the American experience.

Watch This! New Directions in the Art of the Moving Image is a series of rotating exhibitions drawn from SAAM’s permanent collection.

Thomas Day: Master Craftsman and Free Man of Color fully examines the extraordinary career of Thomas Day (1801–about 1861), who owned and operated one of North Carolina’s most successful cabinet shops before the Civil War.

Pictures in the Parlor examines decorative images from the mid-nineteenth century through the early twentieth century that were used in domestic interiors to convey the values, aspirations, and achievements of their owners.

The artwork and ideas of the Korean-born artist Nam June Paik were a major influence on late twentieth-century art and continue to inspire a new generation of artists.