Contemporary Craft at the Renwick Gallery

Colorful multi-media vase

SAAM’s branch location for contemporary craft, the Renwick Gallery, showcases the dynamic landscape of American craft today. Currently on view are more than 100 works in a range of mediums from fiber and ceramics to glass, metal, wood, and mixed media. These objects deepen the history of the studio craft movement while also introducing contemporary artworks that push the boundaries of what we interpret the handmade to be in the twenty-first century. 

Description

The Renwick Gallery opened its doors fifty years ago on January 28, 1972, to showcase the ingenuity and relevance of craft and design in American culture. Over the years the museum has featured many expressions and definitions of craft. Today, the Renwick continues to showcase the creativity of American artists who push the boundaries of the handmade while making the museum a welcome space for all and one representative of all people.  

Some artworks, like masks and protest banners, serve the immediate needs of the present. Others cast new light on the past, sharing previously untold stories and reframing histories. Many artworks inspire a responsibility to the future, showing how craft can restore relationships to the environment and build coalitions across differences. Every object offers the presence of the artist, revealing the radical and tender possibilities of the hand to craft a better world.  

Featured artists include Daniel Brush, Cristina Cordova, Einar and Jamex de la Torre, Alicia Eggert, Susie Ganch, Aram Han Sifuentes, Carla Hemlock (Kanienkeháka), Ron Ho, Steven Young Lee, Linda Lopez, Roberto Lugo, Tom Loeser, George Rodriguez, Judith Schaechter, Preston Singletary (Tlingit),  April Surgent, Wanxin Zhang, and many more. 

“The artwork being crafted and collected now is shaping an even bolder future, one that will help us better understand ourselves, each other and the world around us. The Renwick Gallery will continue to be a driving force in this conversation.”   

—Stephanie Stebich, The Margaret and Terry Stent Director 

Many of the 60 works currently on view were featured in the anniversary exhibition This Present Moment: Crafting a Better World

Visiting Information

April 19, 2023 June 8, 2025
Open Daily, 10:00 a.m.–5:30 p.m
Free Admission

Publications

Six duotone book covers are show with "This Present Moment" in black text
This Present Moment: Crafting a Better World
This Present Moment: Crafting a Better World showcases American craft like never before. Accompanying a 2022 exhibition of the same name, it features artists’ stories of resilience, methods of activism, and highlights craft’s ability to spark essential conversations about race, gender, and representation. This book marks the fiftieth anniversary of the Smithsonian American Art Museum’s Renwick Gallery, the nation’s preeminent center for the enjoyment of American craft. It honors the history of the American studio craft movement while also introducing progressive contemporary narratives.
crafted_NEW_500.jpg
Craft for a Modern World
Craft for a Modern World presents 150 of the Renwick Gallery’s 2,000 artworks in a new light, celebrating the restoration and reopening of its historic landmark home. Encouraging readers to find their own connections—as they have come to expect in today’s hyperlinked world—curator Nora Atkinson describes some of her associations among these artifacts of makers, both contemporary and pioneer. Readers can engage the artworks through subtle linkages in the color plates, which introduce related works in black and white. According to Atkinson, the artworks in this catalogue, many of them newly photographed, “are a playground for the mind.”

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    • Chapters
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      • Celebrate the 50th Anniversary of SAAM's Renwick Gallery Celebrate the 50th Anniversary of SAAM's Renwick Gallery
      • Bisa Butler’s "The Harlem Hellfighters" - American Art Moments Bisa Butler’s "The Harlem Hellfighters" - American Art Moments
      • Virtual Studio Tour with Artist Katie Hudnall Virtual Studio Tour with Artist Katie Hudnall
      • Roberto Lugo: A Village Potter Roberto Lugo: A Village Potter

      SAAM Stories

      open egg shaped basket with flash drive inside
      Discover how artist Kelly Church is ensuring that centuries of Indigenous traditions are preserved for future generations with her beautifully woven basketry.
      A jeweled-encrusted egg
      A look at the extraordinary career of master metalsmith and painter Daniel Brush
      Photograph of Nora Atkinson by Libby Weiler.
      Nora Atkinson
      The Fleur and Charles Bresler Curator-in-Charge, Renwick Gallery
      A photograph of an artwork
      Checking in with the artist who creates lively and unexpected sculptures from clay.
      A photograph of a woman with brown hair and a dress standing inside a building.
      Mary Savig
      Lloyd Herman Curator of Craft
      A detailed crop of a highly textured ceramic vessel. The center shows a painting of the rapper Notorious B.I.G. The side handles are busts of Notorious B.I.G. on one and Tupac Shakur on the other.
      Remixing classical ceramics and underrepresented figures with a hip-hop style
      SAAM
      A sculpture made of discarded materials.
      Artist Susie Ganch gives new life to discarded materials in her large-scale sculptures
      SAAM

      Online Gallery

      Alicia Eggert, This Present Moment, 2019-2020, neon, custom controller, steel, Smithsonian American Art Museum, Museum purchase through the Renwick General Acquisitions Fund, 2021.4, © 2019, Alicia Eggert
      This Present Moment
      Date2019-2020
      neon, custom controller, steel
      On view
      Daniel Brush, Diamond Egg (#90), 1991-1993, 24-karat gold and steel with diamonds, Smithsonian American Art Museum, Gift of Fleur S. Bresler in honor of Robyn Kennedy, 2022.1
      Diamond Egg (#90)
      Date1991-1993
      24-karat gold and steel with diamonds
      On view
      Nick Cave, Soundsuit, 2010, fabric, beads, and sequins, Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2021.48.1, © Nick Cave. Photo by James Prinz Photography. Courtesy of the artist and Jack Shainman Gallery, New York
      Soundsuit
      Date2010
      fabric, beads, and sequins
      Not on view
      David Chatt, Love, Dad, 2012-2013, glass beads, thread, wooden table, letters, Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2021.18.1, © 2022, David Chatt
      Love, Dad
      Date2012-2013
      glass beads, thread, wooden table, letters
      Not on view
      Cristina Córdova, Araña, 2004, hand built clay and stains, Smithsonian American Art Museum, Gift of Lorne E. Lassiter and Gary P. Ferraro, 2021.59
      Araña
      Date2004
      hand built clay and stains
      On view
      Einar De La Torre, Jamex De La Torre, Ohio Goza y Mas, 2013, blown glass, resin castings, and mixed media, Smithsonian American Art Museum, Gift of Todd Wingate and Steven Cason, courtesy of the artists and Koplin Del Rio Gallery, 2021.84
      Ohio Goza y Mas
      Date2013
      blown glass, resin castings, and mixed media
      On view
      Cindy Drozda, Pele (Hawaiian Goddess of Fire), not dated, Australian red malee burl and blackwood, garnet and 14-karat gold, Smithsonian American Art Museum, Gift of Jeffrey Bernstein, M.D. and Judith Chernoff, M.D., 2021.66.10
      Pele (Hawaiian Goddess of Fire)
      Datenot dated
      Australian red malee burl and blackwood, garnet and 14-karat gold
      Not on view
      J. Paul Fennell, Szechwan Serenity, 2013, African sumac, Smithsonian American Art Museum, Gift of Jeffrey Bernstein, M.D. and Judith Chernoff, M.D., 2021.66.15
      Szechwan Serenity
      Date2013
      African sumac
      Not on view
      Susie Ganch, Drag, 2013-2014, collected detritus and steel, Smithsonian American Art Museum, Gift of the James Renwick Alliance in honor of Robyn Kennedy, 2021.81, © 2014, Susie Ganch
      Drag
      Date2013-2014
      collected detritus and steel
      On view
      Carla Hemlock, Our Destruction, 2019, wool stroud cloth, wool, glass beads, crystals, sequins, Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2021.10, © 2020, Carla Goodleaf Hemlock
      Our Destruction
      Date2019
      wool stroud cloth, wool, glass beads, crystals, sequins
      On view
      Aram Han Sifuentes, Verónica Casado Hernandez, OTRO MUNDO ES POSIBLE, 2017, felt, fusible web, and bias tape on cotton, Smithsonian American Art Museum, Museum purchase made possible through Jaimianne and Anthony Jacobin in honor of the James Renwick Alliance, 2021.36, © 2017, Aram Han Sifuentes
      OTRO MUNDO ES POSIBLE
      Date2017
      felt, fusible web, and bias tape on cotton
      On view
      Sharon Kerry-Harlan, Portrait of Resilience, from the Flag Series, 2020, dye discharge fabric, antique quilt fabric, vinyl, flag fabric, and African print fabric, Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2021.35, © 2021, Sharon Kerry-Harlan
      Portrait of Resilience, from the Flag Series
      Date2020
      dye discharge fabric, antique quilt fabric, vinyl, flag fabric, and African print fabric
      Not on view
      Ron Ho, Necklace Made for Patti Warashina, n.d., silver, leather, and Plexiglas with two wood carvings by Julia Harrison and a carved wooden Japanese mask, Smithsonian American Art Museum, Gift of Patti Warashina, 2021.86.1
      Necklace Made for Patti Warashina
      Artist
      Daten.d.
      silver, leather, and Plexiglas with two wood carvings by Julia Harrison and a carved wooden Japanese mask
      Not on view
      Katie Hudnall, Nut Case, 2019, reclaimed wood, found hardware and fasteners, industrial felt, 178 acorns, Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2021.21, © 2019, Catherine Hudnall
      Nut Case
      Date2019
      reclaimed wood, found hardware and fasteners, industrial felt, 178 acorns
      Not on view
      Pat Kramer, Night Blooming Serious, 2003, Norfolk island pine, Smithsonian American Art Museum, Gift of Jeffrey Bernstein, M.D. and Judith Chernoff, M.D., 2021.66.23
      Night Blooming Serious
      Date2003
      Norfolk island pine
      Not on view
      Steven Young Lee, Vase with Landscape and Dinosaurs, 2014, porcelain with pigment and glaze, Smithsonian American Art Museum, Gift of Richard Fryklund, Giselle and Ben Huberman, David and Clemmer Montague, and museum purchase through the Howard Kottler Endowment for Ceramic Art
, 2015.17, © 2014, Steven Young Lee
      Vase with Landscape and Dinosaurs
      Date2014
      porcelain with pigment and glaze
      On view
      Linda Lopez, Blue/Purple Ombre with Rocks, 2018, porcelain, Smithsonian American Art Museum, Museum purchase through the Howard Kottler Endowment for Ceramic Art, 2020.64, © 2020, Linda Lopez
      Blue/​Purple Ombre with Rocks
      Date2018
      porcelain
      Not on view
      Roberto Lugo, Juicy, 2021, glazed stoneware, enamel paint, luster, Smithsonian American Art Museum, Gift of the James Renwick Alliance in honor of the 50th anniversary of the Renwick Gallery and the 40th anniversary of the Alliance, 2021.68, © 2020, Roberto Lugo
      Juicy
      Date2021
      glazed stoneware, enamel paint, luster
      On view
      Kelly Church, Sustaining Traditions-Digital Memories, 2018, black ash, sweetgrass, rit, copper, vial EAB, flashdrive, Smithsonian American Art Museum, Museum purchase through the Decorative Arts and Crafts Endowment, 2020.49A-B, © 2018, Kelly Church
      Sustaining Traditions-Digital Memories
      Date2018
      black ash, sweetgrass, rit, copper, vial EAB, flashdrive
      Not on view
      Thomas Loeser, With You in a Moment, 2016, honey locust, ash, shovel and lawn mower handles, Smithsonian American Art Museum, Gift of the artist, 2021.58
      With You in a Moment
      Date2016
      honey locust, ash, shovel and lawn mower handles
      On view
      John Mascoll, Untitled Lidded Vessel, 2016, citrus, Smithsonian American Art Museum, Gift of Jeffrey Bernstein, M.D. and Judith Chernoff, M.D., 2021.66.26
      Untitled Lidded Vessel
      Date2016
      citrus
      Not on view
      Connie Mississippi, Midnight Mountain, from the series Circle of Time, 2001-2004, Baltic birch plywood
, Smithsonian American Art Museum, Gift of Jeffrey Bernstein, M.D. and Judith Chernoff, M.D., 2021.66.28
      Midnight Mountain, from the series Circle of Time
      Date2001-2004
      Baltic birch plywood
      Not on view
      Virgil Ortiz, Pueblo Revolt 2180, 2018-2019, white bentonite clay with bee-weed (spinach) paint, Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2022.54, © 2016, Virgil Ortiz
      Pueblo Revolt 2180
      Date2018-2019
      white bentonite clay with bee-weed (spinach) paint
      On view
      George Rodriguez, Mexican American Gothic, 2019, stoneware with glaze and underglaze, Smithsonian American Art Museum, Gift of Alison and Glen Milliman, Cynthia Sears, and Michael J. Stein, 2022.23A-B, © 2019, George Rodriguez. Photograph by Spike Mafford, courtesy of Foster/White Gallery, Seattle.
      Mexican American Gothic
      Date2019
      stoneware with glaze and underglaze
      On view
      Judith Schaechter, The Birth of Eve, 2013, flash glass, vitreous paint, silver stain, and copper foil, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 2015.12, © 2013, Judith Schaechter
      The Birth of Eve
      Date2013
      flash glass, vitreous paint, silver stain, and copper foil
      On view
      Preston Singletary, Safe Journey, 2021, cast and sand-carved glass on wooden pedestal, Smithsonian American Art Museum, Gift of the James Renwick Alliance in honor of the 50th anniversary of the Renwick Gallery and the 40th anniversary of the alliance, and museum purchase through the Kenneth R. Trapp Acquisition Fund, 2021.82A-C, © 2021, Preston Singletary
      Safe Journey
      Date2021
      cast and sand-carved glass on wooden pedestal
      On view
      April Surgent, Wave, 2021, glass, Smithsonian American Art Museum, Gift of Gwen and Jerome Paulson in honor of the James Renwick Alliance for Craft, 2022.20A-D, © 2021, April Surgent
      Wave
      Date2021
      glass
      On view
      Gail Tremblay, When will the Red Leader Overshadow Images of the 19th Century Noble Savage in Hollywood Films that Some Think are Sympathetic to American Indians, 2018, 35mm film from "Windwalker" (1981), red and white film leader, silver braid, Smithsonian American Art Museum, Museum purchase made possible by Ms. Brenda Erickson in honor of the James Renwick Alliance, 2021.11, © 2018, Gail E. Tremblay
      When will the Red Leader Overshadow Images of the 19th
      Date2018
      35mm film from "Windwalker" (1981), red and white film leader, silver braid
      Not on view
      Wanxin Zhang, Warrior with Color Face, 2009, high-fired clay with glaze, Smithsonian American Art Museum, Gift of David and Pamela Hornik, 2021.72
      Warrior with Color Face
      Date2009
      high-fired clay with glaze
      On view