Contemporary Craft at the Renwick Gallery

Colorful multi-media vase

SAAM’s branch location for contemporary craft, the Renwick Gallery, showcases the dynamic landscape of American craft today. Currently on view are works in a range of mediums from fiber and ceramics to glass, metal, wood, and mixed media. These objects deepen the history of the studio craft movement while also introducing contemporary artworks that push the boundaries of what we interpret the handmade to be in the twenty-first century. 

Description

The Renwick Gallery opened its doors fifty years ago on January 28, 1972, to showcase the ingenuity and relevance of craft and design in American culture. Over the years the museum has featured many expressions and definitions of craft. Today, the Renwick continues to showcase the creativity of American artists who push the boundaries of the handmade while making the museum a welcome space for all and one representative of all people.  

Some artworks, like masks and protest banners, serve the immediate needs of the present. Others cast new light on the past, sharing previously untold stories and reframing histories. Many artworks inspire a responsibility to the future, showing how craft can restore relationships to the environment and build coalitions across differences. Every object offers the presence of the artist, revealing the radical and tender possibilities of the hand to craft a better world.  

Many of the objects currently on view were featured in the anniversary exhibition This Present Moment: Crafting a Better World

Visiting Information

April 19, 2023 June 8, 2025
Open Daily, 10:00 a.m.–5:30 p.m
Free Admission

Videos

SAAM Stories

A jeweled-encrusted egg
A look at the extraordinary career of master metalsmith and painter Daniel Brush
Photograph of Nora Atkinson by Libby Weiler.
Nora Atkinson
The Fleur and Charles Bresler Curator-in-Charge, Renwick Gallery
A detailed crop of a highly textured ceramic vessel. The center shows a painting of the rapper Notorious B.I.G. The side handles are busts of Notorious B.I.G. on one and Tupac Shakur on the other.
Remixing classical ceramics and underrepresented figures with a hip-hop style
SAAM
A sculpture made of discarded materials.
Artist Susie Ganch gives new life to discarded materials in her large-scale sculptures
SAAM

Online Gallery

Alicia Eggert, This Present Moment, 2019-2020, neon, custom controller, steel, Smithsonian American Art Museum, Museum purchase through the Renwick General Acquisitions Fund, 2021.4, © 2019, Alicia Eggert
This Present Moment
Date2019-2020
neon, custom controller, steel
On view
Daniel Brush, Diamond Egg (#90), 1991-1993, 24-karat gold and steel with diamonds, Smithsonian American Art Museum, Gift of Fleur S. Bresler in honor of Robyn Kennedy, 2022.1
Diamond Egg (#90)
Date1991-1993
24-karat gold and steel with diamonds
On view
Cristina Córdova, Araña, 2004, hand built clay and stains, Smithsonian American Art Museum, Gift of Lorne E. Lassiter and Gary P. Ferraro, 2021.59
Araña
Date2004
hand built clay and stains
On view
Einar De La Torre, Jamex De La Torre, Ohio Goza y Mas, 2013, blown glass, resin castings, and mixed media, Smithsonian American Art Museum, Gift of Todd Wingate and Steven Cason, courtesy of the artists and Koplin Del Rio Gallery, 2021.84
Ohio Goza y Mas
Date2013
blown glass, resin castings, and mixed media
On view
Susie Ganch, Drag, 2013-2014, collected detritus and steel, Smithsonian American Art Museum, Gift of the James Renwick Alliance in honor of Robyn Kennedy, 2021.81, © 2014, Susie Ganch
Drag
Date2013-2014
collected detritus and steel
On view
Carla Hemlock, Our Destruction, 2019, wool stroud cloth, wool, glass beads, crystals, sequins, Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2021.10, © 2020, Carla Goodleaf Hemlock
Our Destruction
Date2019
wool stroud cloth, wool, glass beads, crystals, sequins
On view
Aram Han Sifuentes, Verónica Casado Hernandez, OTRO MUNDO ES POSIBLE, 2017, felt, fusible web, and bias tape on cotton, Smithsonian American Art Museum, Museum purchase made possible through Jaimianne and Anthony Jacobin in honor of the James Renwick Alliance, 2021.36, © 2017, Aram Han Sifuentes
OTRO MUNDO ES POSIBLE
Date2017
felt, fusible web, and bias tape on cotton
On view
Steven Young Lee, Vase with Landscape and Dinosaurs, 2014, porcelain with pigment and glaze, Smithsonian American Art Museum, Gift of Richard Fryklund, Giselle and Ben Huberman, David and Clemmer Montague, and museum purchase through the Howard Kottler Endowment for Ceramic Art
, 2015.17, © 2014, Steven Young Lee
Vase with Landscape and Dinosaurs
Date2014
porcelain with pigment and glaze
On view
Roberto Lugo, Juicy, 2021, glazed stoneware, enamel paint, luster, Smithsonian American Art Museum, Gift of the James Renwick Alliance in honor of the 50th anniversary of the Renwick Gallery and the 40th anniversary of the Alliance, 2021.68, © 2020, Roberto Lugo
Juicy
Date2021
glazed stoneware, enamel paint, luster
On view
Thomas Loeser, With You in a Moment, 2016, honey locust, ash, shovel and lawn mower handles, Smithsonian American Art Museum, Gift of the artist, 2021.58
With You in a Moment
Date2016
honey locust, ash, shovel and lawn mower handles
On view
Virgil Ortiz, Pueblo Revolt 2180, 2018-2019, white bentonite clay with bee-weed (spinach) paint, Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2022.54, © 2016, Virgil Ortiz
Pueblo Revolt 2180
Date2018-2019
white bentonite clay with bee-weed (spinach) paint
On view
George Rodriguez, Mexican American Gothic, 2019, stoneware with glaze and underglaze, Smithsonian American Art Museum, Gift of Alison and Glen Milliman, Cynthia Sears, and Michael J. Stein, 2022.23A-B, © 2019, George Rodriguez. Photograph by Spike Mafford, courtesy of Foster/White Gallery, Seattle.
Mexican American Gothic
Date2019
stoneware with glaze and underglaze
On view
Judith Schaechter, The Birth of Eve, 2013, flash glass, vitreous paint, silver stain, and copper foil, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 2015.12, © 2013, Judith Schaechter
The Birth of Eve
Date2013
flash glass, vitreous paint, silver stain, and copper foil
On view
Preston Singletary, Safe Journey, 2021, cast and sand-carved glass on wooden pedestal, Smithsonian American Art Museum, Gift of the James Renwick Alliance in honor of the 50th anniversary of the Renwick Gallery and the 40th anniversary of the alliance, and museum purchase through the Kenneth R. Trapp Acquisition Fund, 2021.82A-C, © 2021, Preston Singletary
Safe Journey
Date2021
cast and sand-carved glass on wooden pedestal
On view
April Surgent, Wave, 2021, glass, Smithsonian American Art Museum, Gift of Gwen and Jerome Paulson in honor of the James Renwick Alliance for Craft, 2022.20A-D, © 2021, April Surgent
Wave
Date2021
glass
On view
Wanxin Zhang, Warrior with Color Face, 2009, high-fired clay with glaze, Smithsonian American Art Museum, Gift of David and Pamela Hornik, 2021.72
Warrior with Color Face
Date2009
high-fired clay with glaze
On view
Dora De Larios, Opera singer, ca. 1960, stoneware with glaze, Smithsonian American Art Museum, Gift of Forrest L. Merrill, 2021.98.1
Opera singer
Dateca. 1960
stoneware with glaze
On view
Kit Paulson, Lungs, 2020, glass, Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2021.22, © 2020, Kit Paulson
Lungs
Date2020
glass
On view
Corey Alston, From Traditional to Contemporary, 2021, sweetgrass, Smithsonian American Art Museum, Gift of Carolyn L. Mazloomi, 2022.6
From Traditional to Contemporary
Date2021
sweetgrass
On view