The Great American Hall of Wonders

July 14, 2011 — January 8, 2012

Smithsonian American Art Museum (8th and F Streets, NW)

The exhibition The Great American Hall of Wonders examines the nineteenth-century American belief that the people of the United States shared a special genius for innovation. It explores this belief through works of art, mechanical inventions, and scientific discoveries, and captures the excitement of citizens who defined their nation as a “Great Experiment” sustained by the inventive energies of Americans in every walk of life.

The exhibition features 161 objects, including paintings and drawings by pre-eminent artists, including John James Audubon, Albert Bierstadt, George Catlin, Frederic Edwin Church, Winslow Homer, Thomas Eakins, Thomas Moran, and Charles Willson Peale, as well as sculptures, prints, survey photographs, zoological and botanical illustrations, patent models, and engineering diagrams. The exhibition explores six subjects that helped shape America during the period—the buffalo, giant sequoia, and Niagara Falls represent American beliefs about abundant natural resources for fueling the nation’s progress, while inventions such as the clock, the gun, and the railroad link improvements in technology with the purposeful use of time.

The Great American Hall of Wonders investigates questions that are still critical today. The exhibition reveals both the successful experiments of the past, as well as the ones that went awry, and invites today’s citizens to explore a valuable legacy left by the founding fathers: a belief in the transformative power of American inventiveness.

The museum is the only venue for the exhibition, which is organized by Claire Perry, an independent curator who specializes in nineteenth-century American cultural history. Until 2008, Perry was curator of American art at the Cantor Arts Center at Stanford University.

The museum’s National Historic Landmark building is a fitting place to display the exhibition. On July 4, 1836, President Andrew Jackson authorized the construction of a patent office on this site. The building was designed to celebrate American invention, technical ingenuity, and the scientific advancements that the patent process represents. The building was always intended for public display of patent models that were submitted by inventors. By the 1850s, more than 100,000 people each year visited the building, which became known as the “temple of invention,” to see the designs that filled display cabinets in the exhibition galleries. In addition to patent models, the government’s historical, scientific, and art collections were housed on the third floor. The Patent Office occupied parts of the building from 1840 to 1932.

An illustrated companion book, The Great American Hall of Wonders: Art, Science, and Invention in the Nineteenth Century accompanies the exhibition. It is written by Claire Perry and co-published by the museum and London-based publisher D Giles Limited. It is available in the museum store and online (hardcover, $65; softcover, $45).

The 8 episode audio podcast recorded by Guest Curator Claire Perry is available here:

  • Part 1: Introduction - duration: 7 minutes
  • Part 2: The Clock - duration: 10 minutes
  • Part 3: Niagara Falls - duration: 8 minutes
  • Part 4: The Gun - duration: 8 minutes
  • Part 5: The Buffalo - duration: 7 minutes
  • Part 6: The Railroad - duration: 9 minutes
  • Part 7: The Big Tree - duration: 7 minutes
  • Part 8: Conclusion - duration: 4 minutes

Public Programs and Educational Outreach

Through a collaboration with the United States Patent and Trademark Office, the museum will present a robust series of public programs and educational outreach about today’s inventors and inventions as a contemporary complement to the exhibition. These programs will include webcast public lectures, an inventors’ symposium and hands-on activities for children and families, as well as college seminars and professional development workshops for educators.

Free Public Programs
July 14, 2011, The Great American Experiment with curator Claire Perry
Fridays in August, Spark!Lab
August 13, 2011, Art-stronaut Family Day 
September 22, 2011, America, Transformed with Daniel Walker Howe
September 29, 2011, Ken Burns’s The Brooklyn Bridge
October 20, 2011, American Experience: Transcontinental Railroad
October 27 and 28, 2011, Independent Inventors Symposium
November 5, 2011, 21st Century Consort, The Great American…
November 9, 2011, A Conversation with Internet Inventors
November 12, 2011, First LEGO® League Family Day
December 3, 2011, 21st Century Consort, …Hall of Wonders 
December 8, 2011, Face-to-Face with The Artist in His Museum

The Museum's blog, Eye Level
Inventing Equality: On Patents in the Great American Hall of Wonders, January 5, 2012
Charles Willson Peale: The Man in Front of the Curtain, September 13, 2011
Picture This: Exploring The Great American Hall of Wonders, July 14, 2011

In the News
Smithsonian Magazine, November 2011, “Go with the Flow” by Daniel Walker Howe 
The New York Times, July 28, 2011, "The World as America Dreamed It" by Edward Rothstein 
The Washington Post, July 24, 2011, "Smithsonian’s ‘Great American Hall of Wonders’ is a missed opportunity" by Philip Kennicott 
BBC, July 21, 2011, "Can America’s genius for invention endure?" by Jane O'Brien
NPR, Weekend Edition, July 17, 2011, "‘Hall Of Wonders’ Explores U.S. Innovation" with Linda Wertheimer
Associated Press, July 16, 2011, "Patent models join art in new Smithsonian exhibit" by Brett Zongker
Smithsonian, July 15, 2011, "The Great Hall of American Wonders Opens Today at American Art" by Beth Py-Liberman
The Art Newspaper, July 2011, "The Great American Hall of Wonders" by Javier Pes
Washingtonian, July 2011, "‘Hall of Wonders’ Opens at the Smithsonian American Art Museum" by Sophie Gilbert
Inventors Digest, July 2011, "Welcome to the U.S. Hall of Wonders"

The Great American Hall of Wonders is organized by the Smithsonian American Art Museum in collaboration with the United States Patent and Trademark Office. 

Battelle has provided important leadership support for the exhibition. 

Generous contributions also have been provided by Sheila Duignan and Mike Wilkins, the Raymond J. and Margaret Horowitz Endowment, Ewing Marion Kauffman Foundation, Thelma and Melvin Lenkin, Betty and Whitney MacMillan, Jean Mahoney, and Robin Martin.

Charles Willson Peale, The Artist in His Museum

Charles Willson Peale, The Artist in His Museum, 1822, oil on canvas, Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia. Gift of Mrs. Sarah Harrison (The Joseph Harrison, Jr. Collection)