Art Bridges Initiative

American West Consortium

In 2019, SAAM began a five-year exhibition partnership with five museums in some of the fastest growing cities and states in the western region of the United States. The project—the American West Consortium—includes a two-part exhibition program and professional development sessions. This multi-year, multi-institutional exhibition partnership is made possible by the Art Bridges Initiative. Partner museums include the Boise Art Museum in Idaho; the Nevada Museum of Art in Reno; the Jordan Schnitzer Museum of Art in Eugene, Oregon; the Utah Museum of Fine Arts in Salt Lake City; and the Whatcom Museum in Bellingham, Washington.

The Art Bridges Initiative expands access to outstanding works of American art nationwide. During the first phase of this collaborative project, partners are creating a series of exhibitions that engage local communities with artworks from SAAM’s collection in focused installations that address interests particular to each museum. The second phase involves the development of an exhibition organized jointly by all the partner museums and will feature artwork from all six museums. It will be presented at all six venues.

“As the national museum for American art, the Smithsonian American Art Museum believes it is our responsibility to share our most valuable resource—our collections—with the American people, including those who are not able to visit Washington, DC.”
—Stephanie Stebich, The Margaret and Terry Stent Director

Phase II

Many Wests: Artists Shape an American Idea

Media - 1996.19 - SAAM-1996.19_1 - 12668

Angel Rodríguez-Díaz, The Protagonist of an Endless Story, 1993, oil on canvas, 72 x 57 7/8 in. (182.9 x 147.0 cm.), Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1996.19, © 1993, Angel Rodriguez-Diaz. 

NATIONAL TOUR
Boise Museum of Art in Boise, Idaho (July 31, 2021 – February 13, 2022)
Whatcom Museum of Art in Bellingham, Washington (March 19, 2022 – August 21, 2022)
Jordan Schnitzer Museum of Art in Eugene, Oregon (September 28, 2022 – December 31, 2022)
Utah Museum of Fine Art in Salt Lake City, Utah (February 4, 2023 – June 11, 2023)
Smithsonian American Art Museum in Washington, DC (July 28, 2023 – January 14, 2024)

Ideas about the American West, both in popular culture and in commonly accepted historical narratives, are often based on a past that never was, and fail to take into account important events that actually occurred. The exhibition Many Wests: Artists Shape an American Idea examines the perspectives of 48 modern and contemporary artists who offer a broader and more inclusive view of this region, which too often has been dominated by romanticized myths and Euro-American historical accounts.  

This exhibition presents an opportunity to examine previous misconceptions, question racist clichés, and highlight the multiple communities and histories that continue to form this iconic region of the United States. Working in various media, from painting and sculpture to photography and mixed media, the artists featured bring a nuanced and multifaceted history to light. Many Wests highlights many voices—including artists who identify as Black, Indigenous, Asian American, Latinx, and LGBTQ+ — who stake a claim in the American West. 

The exhibition’s three sections — Caretakers, Memory Makers, and Boundary Breakers — highlight the various ways artists explode singular conceptions of the American West, often demonstrating the resilience of marginalized communities who survived against the odds. The modern and contemporary artists featured in Many Wests reveal that “the West” has always been a place of multiple stories, experiences, and cultures.  

Phase I

Boise Art Museum

Women in American Impressionism: Three Masterworks from the Smithsonian American Art Museum

November 9, 2019 – November 8, 2020

This exhibition of paintings by Mary Cassatt, Frederick Carl Frieseke, and Childe Hassam showcases a distinct view of women at the turn to the twentieth century. The featured works also provide an East Coast perspective for the Boise Art Museum’s concurrent special exhibition Impressionism in the Northwest.

Mary Cassatt, Spanish Dancer Wearing a Lace Mantilla, 1873, oil on canvas, Smithsonian American Art Museum, Gift of Victoria Dreyfus, 1967.40
Spanish Dancer Wearing a Lace Mantilla
Date1873
oil on canvas
Not on view
Frederick Carl Frieseke, Nude Seated at Her Dressing Table, 1909, oil on canvas, Smithsonian American Art Museum, Gift of the Sidney Avery and Diana Avery 1978 Trust, 1997.62
Nude Seated at Her Dressing Table
Date1909
oil on canvas
Not on view
Childe Hassam, Tanagra (The Builders, New York), 1918, oil on canvas, Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.63
Tanagra (The Builders, New York)
Date1918
oil on canvas
Not on view

The Jordan Schnitzer Museum of Art

Common Seeing: Resistance as Power: A curatorial response to Under the Feet of Jesus

September 7, 2019 – February 23, 2020

This exhibition, featuring work by Emanuel Martinez and Domingo Ulloa, addresses cultural invisibility and the themes of Mexican American identity, migrant laborers, and the politics of production on the West Coast. Its presentation coincides with the University of Oregon’s annual “Common Reading” program.

Emanuel Martinez, Farm Workers' Altar, 1967, acrylic on mahogany and plywood, Smithsonian American Art Museum, Gift of the International Bank of Commerce in honor of Antonio R. Sanchez, Sr., 1992.95
Farm Workers’ Altar
Date1967
acrylic on mahogany and plywood
On view
Domingo Ulloa, Braceros, 1960, oil on masonite, Smithsonian American Art Museum, Gift of Eugene Iredale and Julia Yoo, 2014.20
Braceros
Date1960
oil on masonite
On view

Nevada Museum of Art

America’s Art, Nevada’s Choice: Community Selections from the Smithsonian American Art Museum

November 7, 2019 – August 16, 2020

After conducting a unique crowdsourcing opportunity that engaged community members in selecting artworks from SAAM’s permanent collection, the Nevada Museum of Art showcases three paintings in this bilingual installation.

Childe Hassam, The South Ledges, Appledore, 1913, oil on canvas, Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.62
The South Ledges, Appledore
Date1913
oil on canvas
On view
Edward Hopper, Ryder's House, 1933, oil on canvas, Smithsonian American Art Museum, Bequest of Henry Ward Ranger through the National Academy of Design, 1981.76
Ryder’s House
Date1933
oil on canvas
On view
Georgia O'Keeffe, Hibiscus with Plumeria, 1939, oil on canvas, Smithsonian American Art Museum, Gift of Sam Rose and Julie Walters, 2004.30.6
Hibiscus with Plumeria
Date1939
oil on canvas
On view

Utah Museum of Fine Arts

Thomas Moran, Georgia O’Keeffe & Alma Thomas: Paintings from the Smithsonian American Art Museum 

October 25, 2019 – October 2, 2020

These three works from SAAM’s collection introduce diverse artistic voices and explore various pictorial approaches to landscape painting—from nineteenth-century idealized naturalism to modern abstraction—in conversation with artworks on display in UMFA’s permanent collection galleries.

Georgia O'Keeffe, Manhattan, 1932, oil on canvas, Smithsonian American Art Museum, Gift of the Georgia O'Keeffe Foundation, 1995.3.1
Manhattan
Date1932
oil on canvas
Not on view
Thomas Moran, Mist in Kanab Canyon, Utah, 1892, oil on canvas, Smithsonian American Art Museum, Bequest of Mrs. Bessie B. Croffut, 1942.11.10
Mist in Kanab Canyon, Utah
Date1892
oil on canvas
Not on view
Alma Thomas, Red Sunset, Old Pond Concerto, 1972, acrylic on canvas, Smithsonian American Art Museum, Gift of the Woodward Foundation, 1977.48.5
Red Sunset, Old Pond Concerto
Date1972
acrylic on canvas
Not on view

Whatcom Museum

Conversations Between Collections: The Smithsonian American Art Museum and The Whatcom Museum 

February 1, 2020 – March 7, 2021

The works selected by the Whatcom Museum, displayed with the museum’s permanent collection, encourage conversations about identity and power dynamics in the American West and deconstruct the dominant narrative about the Native position in American society.

Jaune Quick-To-See Smith, State Names, 2000, oil, collage and mixed media on canvas, Smithsonian American Art Museum, Gift of Elizabeth Ann Dugan and museum purchase, 2004.28
State Names
Date2000
oil, collage and mixed media on canvas
Not on view
Fritz Scholder, Indian and Contemporary Chair, 1970, oil on linen, Smithsonian American Art Museum, Gift of Judge and Mrs. Oliver Seth, 1983.111, © 1983, Fritz Scholder
Indian and Contemporary Chair
Date1970
oil on linen
Not on view
Jasper Francis Cropsey, The Coast of Genoa, 1854, oil on canvas, Smithsonian American Art Museum, Gift of Aileen B. Train, Helen B. Spaulding and Julia B. Key, 1984.162
The Coast of Genoa
Date1854
oil on canvas
Not on view

Credit

This multi-year, multi-institutional partnership formed by the Smithsonian American Art Museum as part of the Art Bridges Initiative.  

Logo for the Art Bridges Initiative and SAAM