Manuel Acevedo’s Hartford Re-visions Project I, II and III

Meet the Artists of Our America: The Latino Presence in American Art

Media - 2013.53.1A-C - SAAM-2013.53.1A-C_4 - 88592

Manuel Acevedo, Hartford Re-visions Project I, II and III2004, printed 2012, inkjet prints, Smithsonian American Art Museum

About this Artwork

Acevedo combines photography and drawing to proffer an ambivalent account of life in urban America. This triptych captures views of an abandoned lot in a Puerto Rican neighborhood in Hartford, Connecticut. To execute these works, the artist drew architecture-like structures on three versions of the same photograph and enlarged them to magnify their scale. Acevedo’s visionary constructions can appear optimistic, as if the lot were finally being repurposed. The structures can also look like high fences that separate this community from a more prosperous downtown seen in the distance.

Acerca de esta obra

Acevedo combina la fotografía y el dibujo para ofrecer una interpretación ambivalente de la vida urbana en los Estados Unidos. Este tríptico capta imágenes de un terreno abandonado en un barrio puertorriqueño en Hartford, Connecticut. Para ejecutar estas obras, el artista dibujó estructuras pseudo arquitectónicas en tres versiones de la misma fotografía y las amplió para aumentar su escala. Las construcciones visionarias de Acevedo pueden parecer optimistas como si el terreno por fin cobrara nueva vida. Las estructuras también pueden interpretarse como cercas altas que separan a la comunidad de las zonas más prósperas del centro de la ciudad que se ven a la distancia.

Meet the Artist

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      Manuel Acevedo reimagines the streets of his hometown of Newark, New Jersey, a city shaped by periods of unrest and urban renewal initiatives that tore down existing housing to erect massive housing projects.